Synopsis: Peri Brown, a young American student, is rescued from drowning by Turlough. Among her belongings is a metallic object that the boy recognises as coming from his own world. The shape-changing robot Kamelion interferes with the TARDIS to take them all to a volcanic planet where a religious order revolves around a teenage boy who might be the key to Turlough’s secret past. A bewildered Peri discovers that Kamelion is being controlled by someone who knows the Doctor well, someone who calls himself ‘The Master’…
- 1. Mayday
- 2. Message Received
- 3. Destination Unknown
- 4. Crisis on Sarn
- 5. A Very Uncivil Servant
- 6. Outsiders
- 7. The Misos Triangle
- 8. An Enemy in Disguise
- 9. In the Heart of the Volcano
- 10. The Blue Flame
- 11. The Time of Fire
Background: Peter Grimwade adapts his own scripts for the serial broadcast seven months earlier.
Notes: The book begins aboard the ship of Captain Antigonas struggling in a storm. The vessel is weighed down by the treasures of Dimitrios, a fat merchant from Rhodes who is more concerned with the welfare of a marble statue of a boy than for his own life (or those of the crew). He’s last seen clinging to the statue ‘as if it were a lover’, plummeting to the depths of the ocean. The ancient ways of the doomed mariners are contrasted with the similar fate of the crew of a Trion vessel caught in the gravitational pull of Sarn. Another captain, Grulen, eagerly awaits landing on the planet as several generations of his family once lived there before the volcanoes became overactive. A sudden surge of volcanic activity causes a magnetic storm. Realising they won’t be able to guarantee a safe landing, Grulen opens the security quarters of the ship so that his prisoners might have equal chance of survival as the rest of the crew. Having faced the threat of execution daily, two of the prisoners are resigned to their deaths and as the couple cradle their sleeping child, the father’s thoughts turn to Turlough.
There’s a shuffling of scenes at the start, with all of the scenes on Sarn delayed to chapter 4, which makes a lot more sense. We join the TARDIS in the immediate aftermath of Tegan’s departure. Turlough considered the Australian ‘argumentative, tactless, interfering, brainless and with a voice that could strip paint’; he also misses her terribly and so does the Doctor. Turlough suggests a holiday, and while the Doctor isn’t enthused with the idea, remembering the chaos that ensued after a trip to Brighton, Turlough recalls a holiday with his school chum Ibbotson and his family to Weston-super-Mare – and so is determined that they should find a ‘paradise island’ instead. Kamelion’s screams force the Doctor to realise he’d forgotten all about the robot shapeshifter and notes that he had ‘none of the cheerful loyalty of K9’. His voice is like a speak-your-weight machine. Turlough suspects Kamelion of working with the Custodians on Trion and when the robot advises him to take care under the hot sun (‘with your fair skin you will easily burn’) it sounds to Turlough more like a threat than advice.
Howard Foster speculates that the mysterious metal object might be debris from a Russian satellite. His assistant is Karl, not Curt. Peri mentions a ‘Doc Corfield’ and notes that she would ‘never trust a man with a toupee!!’ Howard is 41 next birthday. He says that Peri has travelled all her life but Peri moans that it’s mainly been a succession of Hilton hotels. She has a trust fund, left to her by her (presumably deceased) father, which will be released to her when she turns 21. The English guys she hopes to go travelling with are called ‘Trevor’ and ‘Kevin’. Peri acknowledges that she’s not a strong swimmer but it’s leg cramp that causes her to come into difficulty as she heads to the shore. Incidentally, Lanzarote is not mentioned at any point in the story; the story begins with the shipwreck off the coast of North Africa (‘the headland’) so Howard’s archeological excavation might take place in Gibraltar, which has easier access to Athens. But it’s probably still Lanzarote in anything but name.
Turlough has a more physical altercation with Kamelion before disabling the robot with a bombardment of waves and dumping him in a spare room. Sarn is a city, not the name of the planet, believed to be the last surviving community after the last earthquakes and firestorms a generation ago. Turlough appears to tell the Doctor the name of his home planet, Trion, for the first time, despite having asked to go there in previous stories. The Doctor quotes Paradise Lost and admonishes Turlough for not studying Milton at school. Misunderstanding Turlough’s intentions, the Doctor calls him a ‘little racialist’: ‘As Tegan had never been slow to point out, Turlough could be a rather nasty piece of work.’ There’s a summary of the Master’s exploits that led to his predicament, during which it’s confirmed that this is his fourteenth incarnation. Turlough and Malkon find a poorly tended grave near the wreck of the Trion ship, which confirms Turlough’s suspicions that Malkon is the only survivor of the crash. The Master’s final teasing line asking the Doctor to ‘show mercy to your own-‘ is cut, as is the final scene on TV where Peri received her proper invitation to join the Doctor.
Cover: Andrew Skilleter’s illustration depicts the Master and Kamelion in waves of blue flame.
Final Analysis: An elegant adaptation here. I particularly like the way Grimwade makes sure we know when we’re with the Kamelion version of any character as he undermines the illusion in every line: ‘the duplicate professor’; ‘the man in the dark suit who everyone believed to be Professor Foster’; ‘Kamelion in the guise of the American archaeologist’; ‘The robotic Master’. He also has a nice line in similes: The Doctor’s device squeaks ‘like an old lady who has turned her hearing aid up too high’; the volcano grumbled ‘like a sleeping giant with a touch of indigestion’; the Master announces himself to Peri ‘as if he were the Tsar of all Abe Russias’; the Doctor’s party works its way through the streets of Sarn ‘like rodents navigating the secret byways of the skirting board’; the Doctor arrives at the portico ‘like a royal bride’; Kamelion glitters ‘like a Maltese tinfoil Saint at Festa Time,’ and later the robot appears ‘blustered like an actor unsure of his lines’. It’s so much fun seeing which ridiculous comparison he’ll submit next. Though what we’re supposed to make of Peri delivering ‘a sharp kick at the Master’s shins that would have repulsed a Globetrotter’, I’m not so sure.