Chapter 56. Doctor Who and the Androids of Tara (1980)

Synopsis: The Doctor has gone fishing, leaving Romana to hunt down the next segment of the Key to Time. She completes her hunt with surprising ease, but just as quickly she becomes a prisoner of the scheming Count Grendel. Meanwhile, the Doctor’s holiday is interrupted by guards who serve Prince Reynart, a sickly monarch-in-waiting, whose reign is about to be cut short by Grendel. The Prince has an android duplicate of himself, which he hopes to use as a decoy long enough to ascend the throne. The android, however, doesn’t work. Separately, the Doctor and Romana work from opposite sides to fix the state of Tara. 

Chapter Titles

  • 1. The Doctor Goes Fishing
  • 2. Count Grendel
  • 3. The Double
  • 4. The Princess
  • 5. The Prisoner of Gracht
  • 6. The Android King
  • 7. Invitation to an Ambush
  • 8. The Android Killer
  • 9. Flag of Truce
  • 10. Count Grendel plans a Wedding
  • 11. Attack by Night
  • 12. Victory

Background: Terrance Dicks adapts scripts by David Fisher for his second story from 1978.

Notes: The statue that transforms into the Key to Time segment depicts ‘a vaguely dragon-like heraldic beast, thrusting time-blunted claws towards the blue summer sky’. The very-much-alive creature that attacks Romana is a very generous evolution of the short, comedic beast seen on telly:

The monster was a good eight feet tall – and it walked upright like a man. It had coarse black fur, slavering jaws filled with yellow, pointed teeth and a stubby horn projecting from the centre of its forehead. A mixture of bear, ape and boar, with the nastiest features of all three. 

Count Grendel is said to possess a ‘darkly handsome face’ which is ‘marred only slightly by a fiercely jutting beak of a nose’ – an unflattering description of actor Peter Jeffrey. At the end, the Doctor rescues the adrift K9 – and Romana jokes that he ‘managed to catch a fish on Tara after all’ – before the time travellers depart in the TARDIS.

Cover: A scene painted by Andrew Skilleter shows the Doctor inspecting a segment of the Key to Time, watched by Romana (in her Ribos costume), appearing on a cover for the first time. In the background, K9 makes his first appearance on a book cover too, looking up at the Prince on his throne. The back cover announces ‘THE ANDROIDS OF TARA is a novel in the Key To Time Sequence. Read THE RIBOS OPERATION and THE STONES OF BLOOD available now.’ (said books didn’t carry this linking text).

Final Analysis: Around the time that this book was published, Shredded Wheat had an advertisement campaign that boasted that the product had ‘nothing added, nothing taken away’. Aside from the exaggerated details of the beast in the woods, this is all we get here. I still think it’s not fair to dismiss Dicks’ writing simply as just adding ‘he said / she said’ to the script, as he paints a vivid picture of the castles and woodlands of Tara, but this is a great example of Dicks at his most perfunctory. Everything that we might like about this came from David Fisher.

Chapter 55. Doctor Who and the Stones of Blood (1980)

Synopsis: A stone circle in southern England, known locally as ‘The Nine Travellers’. Which is strange, as clearly there are more than nine stones. This is just one of many legends from the region. Another speaks of a woman who lives for centuries, who might have been a Celt goddess called ‘The Cailleach’. And then there’s the tale of two time travellers who expose a galactic criminal and discover a spaceship hidden in another dimension… 

Chapter Titles

  • 1. The Awakening of the Ogri
  • 2. The Circle of Power
  • 3. De Vries
  • 4. The Sacrifice
  • 5. The Ogri Attack
  • 6. The Cailleach
  • 7. The Vanished
  • 8. The Prison Ship
  • 9. The Victims
  • 10. The Trial
  • 11. Surprise Witness
  • 12. Verdict

Background: Terrance Dicks adapts scripts by David Fisher for a story from 1978.

Notes: As The Pirate Planet wasn’t scheduled to be novelised at this point (or indeed, at any point in the foreseeable future), the first chapter explains that the second segment of the Key to Time was found on the planet Calufrax, which is almost right. As on TV, Romana learns that she wasn’t assigned to the Doctor by the President of Gallifrey but by the White Guardian, which amends the alternative continuity established by Ian Marter in The Ribos Operation. The Key to Time pieces are kept in the TARDIS control room inside a ‘wall-locker’ that opens to the Doctor’s palm-print. Professor Amelia Rumford mistakes the Doctor for Doctor Cornish Fougous (rather than an academic who specialised in Cornish fogous). Martha had been a school teacher before she met De Vries and she joined the druid cult to liven up an otherwise dull life. The doomed campers are newly-weds. The Megara are floating silver spheres about the size of a football. The Doctor namedrops Tacitus and Julius Caesar, who he was particularly pally with even though he refused to accept advice and the Doctor had to dress up as a soothsayer to warn him about the ‘ides of March’.

Cover: A composition by Andrew Skilleter featuring the Doctor, the Cailleach and some cult members among the flame-lit stones.

Final Analysis: Possibly Dicks’ most straightforward adaptation of a TV story so far, though he does offer up an delightful description of Professor Rumford: 

The woman was quite old, though her back was straight, her eyes clear and alert. Her straggly hair was a snowy white, her face a mass of lines and wrinkles. It was the face of a woman of formidable character.

He’s clearly more interested in her than Vivien Fay, who is ‘a tall, strikingly attractive dark-haired woman in her forties’ but doesn’t really receive much more attention. This is particularly odd when we consider that the last time she’s described at all in the book, she’s dressed as a bird-faced Celtic goddess and on TV she arrives on the space-ship in a silver gown with metallic skin to match.

Chapter 54. Doctor Who and the Invasion of Time (1980)

Synopsis: The Doctor has returned home to claim the Presidency of the Time Lords. As the Gallifreyan elite is driven to panic by this shocking development, this is just the first in a chain of horrific events as the new President banishes senior figures to the barren wastelands of Gallifrey – including his friend Leela. And then the Vardans arrive. This is all part of a trap created by the Doctor to defeat the invaders, but the trap backfires when the Vardans are vanquished and in their place arrive the Sontarans!

Chapter Titles

  • 1. Treaty for Treason
  • 2. The President-Elect
  • 3. Attack from the Matrix
  • 4. The Fugitive
  • 5. The Betrayal
  • 6. The Invasion
  • 7. The Outcasts
  • 8. The Assassin
  • 9. The Vardans
  • 10. False Victory
  • 11. The Sontarans
  • 12. The Key of Rassilon
  • 13. Failsafe
  • 14. The Chase
  • 15. The Wisdom of Rassilon

Background: Terrance Dicks adapts the 1978 scripts attributed to David Agnew (Anthony Read and Graham Williams).

Notes: Leela has brown eyes again [see The Horror of Fang Rock]. There are many references back to The Deadly Assassin that provide clarification or other information that wasn’t revealed in the onscreen Invasion of Time. There’s a summary of the events that led to the Doctor assuming the position of President by default, including the Doctor’s previous encounter with the Matrix, as well as an explanation that as there was no other candidate available, and the Doctor was absent, Borusa took on the role of acting President as well as Chancellor, making him extremely powerful. Castellan Spandrel has retired and his very recent replacement, Kelner, quickly established a Bodyguard Squad to protect himself; Kelner took possession of a suite of offices that are… :

… of transparent plastic and gleaming metal, with complex control consoles and brightly flickering vision screens everywhere. It was over-technological even by Time Lord standards, but Kelner, the new Castellan felt it helped to maintain his image. 

Kelner is ‘thin-faced, nervous, rather insecure Time Lord’ who gained his position thanks to ‘good birth and political intrigue’. He has a bodyguard who is ‘very big, very brave, and very stupid’. Terrance Dicks maintains the impression given in The Deadly Assassin of the ceremonial chamber at the centre of the Panopticon and the scale of the Time Lord ensemble, which could never be achieved on TV:

The grand hall of the Panopticon is an immense circular chamber used by the Time Lords for all their major ceremonies. It is one of the largest and most impressive chambers in the known universe. The immense marble floor is big enough to hold an army, the domed glass roof seems as high above as the sky itself. Row upon row of viewing galleries run around the walls, and on the far side of the hall an impressive staircase leads down to a raised circular dais. By now the hall was filled with rank upon rank of Time Lords, all wearing the different-coloured robes and insignia of the different Chapters, the complex social family and political organisations that dominated Time Lord Society. 

The Great Key of Rassilon is just a lost artefact on TV, but Dicks ties it to the one named in The Deadly Assassin; the one the Master stole was a replica and the real one is kept in the possession of the Chancellor; also unlike on TV, the Doctor deduces which one of Borusa’s keys is the correct one without Borusa first offering a decoy. The buildings on the edge of the Capitol have ‘sheer white walls’ and the gleaming towers can be seen many miles away. 

Rodan is described as a ‘Time Lady’. The Outsiders live in log huts. Nesbin was expelled from the Capitol for an unprecedented violent attack upon another Time Lord. Ablif is a ‘burly young man’ and is the Outsiders who first captures Leela and Rodan – and gains a scratch across his face for his troubles. Jasko is also a ‘burly young Outsider’ who isn’t ‘especially bright’ but is ‘brave and strong’ and obedient. While these two Outsiders appeared on TV, a third member of the assault party is called ‘Jablif’ and it’s he who is fatally wounded but manages to kill a Sontaran before he dies.

Dicks’ description of Stor echoes that from Robert Holmes’ prologue for The Time Warrior:

The head was huge and round and it seemed to emerge directly from the massive shoulders. The hairless skull was greeny-brown and small red eyes were set deep in cavernous sockets. The nose was a snubby snout, the wide mouth a lipless slit. 

Stor calls our hero ‘Dok-tor’ as if it’s his name, which is lovely.

Cover: Andrew Skilleter paints a much-minicked design of the Doctor and Stor smothered by metal cogs.

Final Analysis: Terrance Dicks guides us through what was actually quite a complicated script and helps it make sense along the way. Even Leela’s sudden departure is given a little assistance (in Leela’s tribe, it turns out, the women choose the men and Andred’s fighting skills and bravery clearly impressed her). He also succeeds in making the Vardans seem impressive: 

The space ship was enormous, terrifying, a long, sleek killer-whale of space. Its hull-lines were sharp and predatory and it bristled with the weapon-ports of a variety of death dealing devices. Everything about it suggested devastating, murderous power. 

… so that when their human forms are revealed, it’s more dramatic and less underwhelming as they’d already been fairly disappointing before the reveal. We’re still in this dry period where the books largely transcribe what happened on TV, but here, this at least prevents everything from feeling as cheap and improvised as it does on home video.

Chapter 51. Doctor Who and the Destiny of the Daleks (1979)

Synopsis: The Doctor and Romana explore a dead world, unaware that one of them has been there before. A spaceship arrives containing the beautiful Movellans who inform the Doctor that the planet is Skaro – home of the Daleks – and their mission is to find the Dalek creator, Davros. But Davros is dead… and coincidentally, so is Romana!

Chapter Titles

  • 1. The Dead City
  • 2. Underground Evil
  • 3. The Daleks
  • 4. The Movellans
  • 5. Slaves of the Daleks
  • 6. Escape
  • 7. The Secret of the Daleks
  • 8. The Prisoner
  • 9. The Hostages
  • 10. The Bait
  • 11. Stalemate
  • 12. Suicide Squad
  • 13. Blow-up
  • 14. Departure

Background: Terrance Dicks adapts Terry Nation’s scripts for a story that aired just two months earlier.

Notes: Dicks calls Romana a ‘Time Lady’ and summarises the events from the climax of The Armageddon Factor, which hasn’t been novelised yet. The Doctor surmises that Romana’s higher score at the academy accounts for her greater control over how she regenerates, unlike his own traumatic experiences. They arrive on the strange dead world at night during a storm (it’s a bright, sunny day on TV). The slaves bury their dead under rocks because the foundations of the city ruins are too thick to dig up. The dead body that the Doctor investigates was a ‘Space Major Dal Garrant’ (so close to that familiar ‘Tarrant’ that Nation often used). While pinned under the fallen masonry, the Doctor reads ‘The Origins of the Tenth Galaxy’,  written by a ‘particularly pompous Time Lord historian’ who he has never liked. He’s interrupted by the arrival of just two Movellans (Lan and Agella) and they’re wearing ‘simple, military-type space coveralls’, rather than the beautifully distinctive space-dreadlocks and Top of the Pops dance-troop suits. On the Movellan spaceship, Commander Sharrell’s rank is denoted by an insignia on his uniform. 

Sharrel does not identify the planet they’re on beyond the serial number. Only later does the Doctor discover that it’s Skaro, when Tyssan tells him. As Davros revives, his eyes open [see The Witch’s Familiar in 2015]. The journey to the surface with Davros involves a long, steep, spiralling ramp. The Daleks cheat and make their way to Davros’s level using ‘eerily silent anti-grav discs’ as seen in Planet of the Daleks. Disappointingly, the Doctor doesn’t tell the Daleks to ‘spack off’. The Dalek mutant that he encounters in the sand dunes is more active than the blob of Slime-with-Worms from TV. It’s a ‘pulsating green blob, a kind of land-jellyfish’ that crawls up his arm. There’s a fair bit of gender-swapping here: Veldan and Jall’s genders are reversed, the Daleks’ sacrificial victims are both male and the Movellan that captures the Doctor and Tyssan is also male. Romana doesn’t dismember Sharrel during their fight, she merely kicks away his power tube.

Cover: Welcome Andrew Skilleter, who surrounds an image of the Doctor (based on a pic from The Pirate Planet) with very TV Century 21-style Daleks moving around in fog, as if at a disco. Alister Pearson’s 1990 reprint cover puts the Doctor and Romana alongside a moody Davros in profile, a Dalek and Agella against a salmon background.

Final Analysis: Destiny of the Daleks seems to polarise opinion, but as it was the first Dalek story where I was old enough to follow the plot in full, I didn’t care about how tatty the props looked or that the central point about a robotic impasse shouldn’t have worked because Daleks aren’t robots. I just enjoyed it for being Daleks on my telly. This novelisation is, for me, the first point in this project where Terrance Dicks’ straightforward script-to-page approach feels a little lacking. Racing to get this story novelised meant that Romana v2 is introduced before V1 – we’ve leapt past a season and a half of stories, which is quite confusing – but there’s no real explanation as to who Romana is, only that she’s changed and she’s from Gallifrey. The Movellan costumes are described in such generic terms that they lose some of their onscreen glamour, and it’s all a little… thin. However, there is this lovely harkback to Genesis of the Daleks, which highlights a decision the Doctor has returned to time and time again:

The Doctor sighed. He had hesitated once before, at a time when he could have destroyed the Daleks before their creation, simply by touching the two wires that would complete an explosive circuit. Who knows what horrors he had unleashed upon the Universe? The Daleks were stronger now and more numerous, and with Davros to help them… He must not hesitate again. The Doctor pressed the switch.