Synopsis: The Doctor has regenerated after an accident in his TARDIS, and his enemy the Rani is exploiting his post-regenerative confusion to gain his assistance with one of her experiments. As Mel explores the planet Lakertya and encounters the bat-like Tetraps, the Doctor seems to have forgotten something… who is he?
- 1. Regeneration
- 2. The New Doctor
- 3. Death is Sprung
- 4. Identity Crisis
- 5. Collaborators All
- 6. On With The Fray
- 7. Haute Couture
- 8. Visions of Greatness
- 9. Face To Face
- 10. A Kangaroo Never Forgets
- 11. When Strangers Meet
- 12. ‘You Know, Don’t You!’
- 13. Rendezvous With a Tetrap
- 14. The Centre of Leisure
- 15. Exchange Is A Robbery
- 16. The Twelfth Genius
- 17. Selective Retribution
- 18. Too Many Cooks
- 19. Star Struck!
- 20. Holy Grail
- 21. A Dangerous Break
- 22. Countdown
- 23. Goodbye Lakertya
Background: Pip and Jane Baker adapt their own scripts for a story from 1987.
Notes: The opening chapter is a gift – the final scene featuring the sixth Doctor. As Mel is exercising, the Doctor finds he can’t control the TARDIS. There’s mention of the Hostile Action Displacement System [see The Krotons], which the Doctor has forgotten to set. His regeneration seems to be caused when he falls head first against the TARDIS console. Or ‘tumultuous buffering’ as the authors have it.
Lakertyans still have the remnants of tails under their clothes. They have yellow skin and patches of mother-of-pearl-like scales on their arms and face. The Rani is a ‘Time Lady’ who, we’re told, the Doctor considers to be ‘more brilliant than himself’. As well as Einstein, the Rani’s collection of genii includes Charles Darwin, the physicist Niels Bohr and Louis Pasteur as well as figures from other planets such as Za Panato and Ari Centos. While the previous Doctor was six feet tall, the new one has to get used to being five feet six, hence all the falling about. He studied thermodynamics at university while the Rani specialised in chemistry. Unlike the Doctor, the Rani has never regenerated, having led a life of extreme caution. She escaped the predicament of a Tyrannosaurus Rex rapidly growing to full size due to time spillage in her own TARDIS when the creature grew too big and its spine snapped against the ceiling of the TARDIS [see Mark of the Rani].
Mel went to school in Pease Pottage, Sussex (it’s not just where she lived when she met the Doctor, she grew up there) and she once played the third witch in a production of Macbeth. As she confronts the stranger who is the new Doctor, she improvises a weapon with an acetylene torch; the Doctor uses a stool as a shield, until the seat catches fire. Later, the Doctor steps aside as a Tetrap falls into a bubble trap (on TV, he actively pushes it). He uses a penknife to release himself from the Rani’s cabinet. A Tetrap steps on a phial that Mel has dropped, accidentally smashing it and releasing a rapid-action fungus that engulfs the creature and suffocates it. At university, the Doctor and the Rani had enjoyed ‘many an academic battle of wits’ in debates. Instead of dismantling an ornamental decoration, Ikona pulls some cable from a videogame and hands it to Mel to strip for wire. When she’s finally captured by the Tetraps, the Rani is suspended upside down from the ceiling of her TARDIS.
Cover: A final photographic cover and it’s one that actually shows something interesting from the story – namely the Tetraps hanging upside down (a publicity release with an early rejected cover used the neon logo and artwork by Tony Masero of the Tetrap lair, but printed the wrong way up, to show the Tetraps, er, not upside-down). We have the introduction of the Oliver Elms logo. Alister Pearson painted a much more traditional cover for the 1991 reprint, with the Rani, a Tetrap, the new Doctor, the planet Lakertya, the space brain and a lump of strange matter all jostling for space.
Final Analysis: A huge improvement from Terror of the Vervoids, this novelisation is less giddy and much less overwritten. A good job, as it has one of the most insane plots of any Who adventure (and I have always utterly adored it). While the Bakers used lots of words to create their Vervoids on the page, the description still didn’t successfully build a mental picture of what it was supposed to look like (a difficult task without saying ‘a mash of genitals’!). The summary of the Tetrap follows the slow build to what we saw on TV – multiple points of vision, the odd claw or foot – before the final reveal as Urak jumps out and surprises Mel:
The vulpine, rodent-like face was covered with a gangrenous, oily down. Splayed, moist nostrils and thin sucking lips were dominated by a single luminous eye that glared unblinkingly from beneath a cockscomb of bristle. The veined, bloodshot orb had an enlarged pupil with a green halo.
As if this did not create an ugly enough apparition, above each delicately pointed pink ear, a similar eye bulged.
A fourth eye adorned the back of the Tetrap’s skull. These four eyes were the reason for the three hundred and sixty degree perspective: the quadview.
A predatory grimace exposed razor-sharp cuspids as the repulsive half-ape-half-rat leered at Mel. Then a venomous forked tongue spat at her!
That isn’t to say the authors are not at their verbose best, just that it’s a lot more easy to take in this time. The decision to make the alien language of Tetrapyriarban just… English backwards is hilariously dumb though. Especially when, having come up with this idea, they then explain it. Madness! Similarly, the miraculous substance the Rani seeks is called ‘Loyhargil’, a fact revealed in a chapter called ‘Holy Grail’. Haha – marvellous.