Synopsis: As the Time Lords conclude their case for the prosecution, the Doctor takes his place to deliver a defence using evidence from his own future. It concerns his response to a distress call from the Hyperion III, a luxury liner travelling from Mogar to Earth. Among the passengers are a trio of Mogarians and a group of scientists specialising in the propagation of plants. Down in the hold, in a secure area, is a collection of large pods containing… what? As the Doctor and his friend Mel discover on arrival, the ship also contains a murderer.
- 1 The Defence Begins
- 2 Identity Crisis
- 3 Welcome Aboard
- 4 Limbering Up
- 5 Tiger Trap
- 6 The Booby Trap
- 7 The Fateful Harvest
- 8 The Demeter Seeds
- 9 A Change of Course
- 10 Death Of An Impostor
- 11 A Plethora of Suspects
- 12 The Isolation Room
- 13 Quirky Phenomena
- 14 The Enemy Within
- 15 Deadly Disposal
- 16 A Heinous Crime
- 17 The Black Hole of Tartarus
- 18 A Deadly Intruder
- 19 A Whiff of Death
- 20 Hijack
- 21 A Sacrificial Goat
- 22 Dénouement
- 23 Philosophy of a Vervoid
- 24 The Life Cycle
Background: Pip & Jane Baker adapt their scripts for episodes 9-12 of the 1986 serial The Trial of a Time Lord. This is the first ‘modern’ story in 19 books and the Sixth Doctor is no longer the incumbent.
Notes: Melanie, ‘known as Mel’, was a computer programmer when she joined the Doctor three months ago, her time; her background in computers is hinted at, but not specifically stated on screen until Time and the Rani (and her given surname, Bush, is never actually said onscreen or in print, only in character outlines from the production office). She is 22 years old, 4 feet 10 inches tall and has a 22″ waist. The Doctor has blue eyes. The authors draw our attention to the fact that, like the other two Mogarians, Enzu has a vowel at each end of his name and a ‘z’ in the middle.
The ‘waxy, olive, leaf-veined hands’ of the Vervoids are tipped with thorns, they have ‘vermillion features’ and their skeletons are formed from vines.
Walking upright, the biped’s head was sculpted like a closed ivory brown bud. It had sunken cheeks that projected forward an o-shaped, rubbery mouth. Curling, transparent sepals shielded ear-slits. Neither eyebrows nor lashes framed the lidless, staring eyes in the grotesque, noseless face. Noseless because, like plants, it breathed through its waxy leaves.
Defending himself from a Vervoid attack through a ventilation grill, Bruchner severs the creature’s brittle arm, which independently continues to attack him. After hijacking the bridge of the Hyperion III, Bruchner imagines an Earth ruled by Vervoids, where humanity Is driven to the deserts – and even there he suspects the creatures might somehow thrive. As one Vervoid falls victim to the garbage disposal, another Vervoid learns how to use a gun and shoots a guard dead. There are a few additional scenes of the Valeyard back in the courtroom, taunting the Doctor and leading the jury towards a guilty verdict. It’s clarified that the Mogarians are killed by acid that corrodes their suits and exposes them to the air that is toxic to them. As he borrows a gun, the Doctor slips a note to the Commodore warning him of his suspicions about Doland.
Mr Kimber wears a wristwatch given to him by his son, Peter; he’s travelling back to Earth to visit his son and four grandchildren, looking forward to spending time in the Yorkshire Dales. Lasky’s father, Hubert, was a celebrated scientist but she was closer to her mother, who died when Lasky was a child; her mother used to talk to house plants and it’s this that convinces the thrematologist to attempt mediation with the Vervoids – in vain.
Cover: Tony Masero’s Vervoid is very stylised but not up to his usual work. It’s rather flat. The cover also features a flash on the bottom right explaining that this is part of The Trial of a Time Lord series. Or will be, when the other books are published (the title page lists this as ‘The Trial of a Time Lord: Terror of the Vervoids’).
Final Analysis: I was full of praise for Pip ‘n’ Jane’s first novel. Ah well…
I didn’t read this one at the time of publication, but I heard some wry comments about their writing style. One friend took great pleasure in telling me that they make a point of telling us that Mogarian names have vowels at either end and a ‘z’ in the middle. Certainly, though their tone of voice is very much for younger children than we’ve grown used to, their use of language veers towards the ridiculous, like a teenager armed with their first thesaurus. Why say ‘they were as stubborn as each other’ when you could come up with this?:
Obduracy was hardly a characteristic Mel could reasonably object to, being amply endowed with the same quality herself. She withdrew temporarily to the vionesium sunbed to await the granting of an audience with the autocratic academic.
There are a couple of attempts to provide additional backstory for their characters, but there’s less forward planning than we might have had from Hulke or Dicks; the details are placed immediately before their payoff (information about Kimber’s family is revealed on the page before he’s killed, and likewise Lasky’s). While this is a fairly straightforward transcription from screen to page, even down to how the scenes transitioned on TV, the enjoyment comes from the Bakers’ rather florid style as they strain to make every sentence as complicated as possible. It’s hard not to love them though, trying as hard as they can to inspire a passion for literature (as on telly, there are plenty of opportunities for eager readers to look up their cultural references if the desire grabs them). I have a suspicion though that this, rather than Mark of the Rani, will be more representative of their style going forward. It’s giddy, vibrant and eager to make even the dullest of elements exciting… but it still makes one yearn for the elegant simplicity of a Terrance Dicks.