Synopsis: The Doctor, Steven and Dodo are welcomed by Juno, leader of the elite Elders, who have followed the Doctor’s adventures throughout time. Their community seems to be a paradise, its people happy and relaxed. Outside in the barren wastelands live the savages and, as the Doctor soon discovers, this lower caste of people is more vital to the future of the community than any of them realise. All except Juno…
- 1. ‘Are You Sure You Know Where We Are?’
- 2. ‘You Have Made Me Look Very Grand’
- 3. ‘A Remarkable Advance, Gentlemen. I’d Like To Know How’
- 4. ‘I Don’t Know What’s Going On, But I Don’t Like It’
- 5. ‘The Old Man Did Not Obey’
- 6. ‘Not Exactly A Witness’
- 7. ‘Come On, Soldier Boy. What Are You Frightened Of?’
- 8. ‘The Trouble With You People On This Planet…’
- 9. ‘I Don’t Trust Strangers’
- 10. ‘All We Need Is One Good Friend’
- 11. ‘Do You Think We Will Ever See Him Again?’
Background: Ian Stuart Black adapts his own scripts from the 1966 serial.
Notes: The Doctor consults some print-outs that presumably show the coordinates for their location. He is particularly fond of his calculating device – his own invention – having ‘always found it accurate, and it was giving him some most satisfactory readings’ (unlike on TV, he doesn’t name the device a ‘reacting vibrator’). Dodo is said to be more patient with the Doctor than Steven, accepting his ‘eccentric ways’ and having confidence in him. Honestly, that’s pretty much it.
Cover: For the first edition, David McAllister illustrates the Doctor, the TARDIS and Jano. This is the first book cover to illustrate a guest actor who has previously appeared in a different role on another cover (Frederick Jaegar was also Sorenson / Anti-Man on Planet of Evil, not that he’s all that recognisable on any of the covers for that). For the 1992 reprint, Alister Pearson gives us Chal (as played by Ewen Solon) and the Doctor, with a design motif that evokes the ends of the Doctor’s ribbon tie, forming a cross.
Final Analysis: It’s a treat to have another 1960s writer taking on his own work even if it’s a fairly straightforward novelisation, largely following the flow of the original scripts. The TV production was one of a number of experiments with trying to replace William Hartnell in 1966 and consequently it’s the third of the 1986 releases to have a noticeably absent Doctor. Yet it doesn’t feel like he’s missing as Jano effectively represents him for a good portion of the book and Ian Stuart Black captures the change in his personality perfectly:
Jano looked at him sharply, and for a moment Senta thought he reminded him of someone else. He had adopted an unusual mannerism, tucking his thumbs into his jacket and peering down his nose, like an old schoolteacher.
Due to the order in which books have been released, it’s strange to have Steven leave when we’ve barely got to know him yet, but we still have a fair few of his adventures to come, which I’m only mentioning because, while it’s a very efficient retelling of the TV episodes, there’s not really much more to report on. Oh – one of the characters mentions it’s a Tuesday, which is an odd thing to note on an alien world. A good debut for Ian Stuart Black though.