aka Doctor Who – Robot (1992)
Synopsis: As everyone comes to terms with the appearance and behaviour of a brand new Doctor, a robot with conflicting orders is stealing parts for a super-weapon. Sarah Jane Smith investigates an elite scientific research group while new arrival Harry Sullivan tries his hand at playing James Bond.
- 1. Killer in the Night
- 2. Something More than Human
- 3. Trouble at Thinktank
- 4. Robot!
- 5. The Killer Strikes Again
- 6. Trapped by the Robot
- 7. The World in Danger
- 8. In the Hands of the Enemy
- 9. The Battle at the Bunker
- 10. The Countdown Begins
- 11. The Kidnapping of Sarah
- 12. The Giant Terror
Background: Terrance Dicks adapts his own scripts for the 1974-5 story Robot (snatching the record from The Sea Devils for the shortest gap between broadcast and novelisation publication, at one month and three weeks).
Notes: The regeneration is a lot more involved and emotional than the simple cross-fade seen on telly. It’s told in flashback from the Brigadier’s point of view and it enables Dicks to give us a very brief history of the Brigadier’s relationships with his two previous Doctors.
Suddenly it had been all over. A new man with a new face was lying on the laboratory floor. Like, and yet unlike. Still tall and thin, still with the same rather beaky nose. But a younger man, the face far less lined, a tangle of curly brown hair replacing the flowing white locks.
The Doctor’s recovery takes much longer than on screen. The Doctor’s car, Bessie, is described as ‘an old Edwardian roadster’ (and we’ll see variations of this again over the years). On first seeing the robot, Sarah faints (no, she doesn’t, Terrance! No!). There’s a new scene where UNIT raids Thinktank only to discover they’ve already abandoned their base, while the K1 robot is attacked by RAF jets (as shown on the first cover). And at last, we experience Harry’s first reaction to being inside the Tardis!
Cover & Illustrations: Peter Brookes ushers in a more comic-book style for this cover, which shows the K1 robot attacked by fighter planes on three sides while an inset shows the robot’s giant hand clasped around a screaming Sarah Jane – it’s very reminiscent of King Kong, of course. The logo on the cover now reflects the logo used on screen for the first time, using a version of Bernard Lodge’s design, and for this cover only, the Doctor’s face peers from the ‘O’. No internal illustrations this time, but there’s a two-panel illustration on the rear of the cover depicting the giant robot booting a UNIT jeep into the air. My first edition was the 1979 reprint with the portrait of K1 by Jeff Cummins, which dropped the rear illustration. The 1992 version used Alister Pearson’s painting for the VHS cover, with the K1 robot changing size against a lovely portrait of the Doctor.
Final Analysis: Is this the beginning of the more simplified novelisations? Not much is changed from screen to page but it all flows along nicely without expanding the story to any great degree.
2 thoughts on “Chapter 13. Doctor Who and the Giant Robot (1975)”
Its the Great Tom Baker’s first novel and a milestone. Mine is the one with the blue logo but many years later I obtained this edition, and the audiobook.
This book was my introduction to Harry, I didn’t see him on screen until the Revenge of the Cybermen VHS but I loved him from here.
This is an essential book for any Who fans collection.
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This is the cover I have, it’s so busy!
Love this one so much I named my first (totally shit) band Giant Robot.
There’s now an actual band with the same name releasing albums even now.
(How shit they are is not up to me)
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