Synopsis: The Doctor returns to Peladon with his new friend Sarah Jane Smith. Though membership of the Federation has brought some benefits to the planet, there is growing discontent among its people. The young Queen Peladon rules with kindness, but the old ways of superstition still have influence and when manifestations of the great beast Aggedor disrupt the mining of minerals, a force of Ice Warriors arrives to ensure that mining continues. But Sarah Jane saw an Ice Warrior in the mines before they officially arrived – and the Doctor’s old friend Alpha Centauri begins to suspect that these Ice Warriors aren’t even part of the Federation, but are traitors intent on gaining the minerals for themselves.
1. Return to Peladon
2. Aggedor Strikes Again
3. The Fugitives
4. The Hostage
5. The Wrath of Aggedor
6. The Intruder
7. The Ice Warriors
8. The Madman
9. The Return of Aggedor
10. Trapped in the Refinery
11. The Threat
12. Aggedor’s Sacrifice
Background: Terrance Dicks adapts the 1974 scripts by Brian Hayles (who had started work on the novel before his death in 1978). This completes the Target run of adaptations of stories from Season 11.
Notes: Peladon has three moons. We’re told this as part of an introductory chapter that summarises both the events of The Curse of Peladon and the intervening years up to this point, during which a war with Galaxy Five has made Peladon a key resource for the Federation. Apparently, Sarah Jane Smith has been the Doctor’s ‘more or less unwilling companion on a number of adventures’ and she instantly regrets allowing herself to be persuaded by the Doctor’s stories of a ‘picturesque and primitive planet, just making the transition from feudal savagery to technological civilisation’.
Ettis is said to be ‘a thin, wiry young man’ (so the casting for the TV version clearly shows what a hard life it is, being a miner, because he’s not ‘young’). Sarah observes a number of differences between Commander Azaxyr and his subordinates:
Although equally large, Azaxyr was built on slenderer, more graceful lines than his tank-like troops. He moved more easily, and in particular his mouth and jaw were differently made, lessof a piece with the helmet-like head. While the other Ice Warriors grunted and hissed in monosyllables, Azaxyr spoke clearly and fluently, though there was still the characteristic Martian sibilance in his voice.
The Doctor notes that, as a member of an aristocratic Martian line, Azaxyr is ‘almost a different species from the ordinary warriors’.
Cover: Steve Kyte’s design shows an Ice Warrior and the hulking form of a roaring Aggedor. Simple but effective. Alister Pearson’s 1992 cover shows the Aggedor statue and the Doctor as the background to a cluster of Sarah, Azaxyr, Alpha Centauri and Eckersley.
Final Analysis: It’s a welcome return for the Third Doctor, our first story to feature him since Death to the Daleks 19 books ago. Terrance Dicks might not attribute the colourful cuttlefish properties to Alpha Centauri that Bryan Hayles did in Doctor Who and the Curse of Peladon, but instead Alpha’s tentacles are the indication of his moods. Aggedor is said to be even bigger than he was the last time the Doctor saw him (and considering the illustrations of him in the previous novelisation, that must make him really huge now) and Dicks adjusts the Martian Commander to be as imposing as his warriors.
Synopsis: The city of the Exxilons, one of the Seven Hundred Wonders of the Universe. Somehow, the city is alive, draining the energy from any visiting spacecraft – including the TARDIS. Abandoning the time ship, the Doctor and Sarah find a similarly marooned expedition team in search of minerals needed to cure a deadly space plague. But a platoon of Daleks also intend on taking the minerals for themselves. The explorers form an uneasy truce as they decide to find answers inside the city – and the native Exxilons are determined not to let them..
1. Death of a TARDIS
2. The Ambush
3. Expedition from Earth
4. The Deadly Arrivals
5. A Truce with Terror
6. The Sacrifice
7. Escape to the Unknown
9. The Pursuit
10. The City Attacks
11. The Trap
12. The Nightmare
13. The Antibodies
14. The Last Victory
Background: Terrance Dicks adapts Terry Nation’s scripts from the 1974 story.
Notes: The prologue is an atmospheric retelling of the first scene – which was cut from the story’s first release on home video, so it’s kind of a deleted scene with a cracking first line: ‘He was a dead man running.’ The Doctor is ‘a tall, white-haired man with a deeply-lined, young-old face’ (the first time we see this description and it won’t be the last). Sarah has only known the Doctor for a brief time, as she recalls her trips to Medieval England and a London ‘infested with dinosaurs’. The fog on the planet Exxilon is (wait for it!) green. The Exxilons wear black robes and speak a form of ‘pidgin Galactic’ that Galloway can understand. Bellal is a ‘subterranean Exxilon’ and he introduces his friend as ‘Gotal’ (a name only revealed in the end credits on TV), while another subterranean Exxilon is called ‘Jebal’.
Jill Tarrant is blonde, not red haired, Dan Galloway lost his entire family in the Dalek wars, grew up in poverty as a refugee and joined the Marine Space Corps as soon as he could, working his way up the ranks. The ‘hopscotch’ floor in the City lies in a wide hall, not a narrow corridor and there are many antibody creatures, not just the two on telly. Realising Jill has escaped, the Dalek sentry begins a frantic search but doesn’t self destruct. The Doctor offers to continue aiming for Florana but Sarah just wants to go home.
Chapter 7 is ‘Escape to the Unknown’ – another one so close to the lesser-sighted ‘Escape to Danger’ but… not quite.!
Cover: Roy Knipe paints this Target Doctor Who cover and creates an instant classic – a Dalek’s head explodes. Alister Pearson was onto a hiding for nothing with his 1991 reprint cover, which shows Bellal in front of a different blazing Dalek.
Final Analysis: It’s hard to go wrong with this and Dicks doesn’t put a foot out of place. He doesn’t add much either, to be fair, but it’s still a lot creepier than the over-lit, jazz-fused TV version. It’s peak-Terrance, where eyes are red and glowing, robes are black and Daleks glide.
Synopsis: Scientists have disappeared from across the country. In an attempt to keep them safe, the remaining experts have been brought to a research centre under the guard of UNIT – but still they continue to vanish. The Doctor identifies the cause must be someone with access to time travel. Following the trail in the TARDIS back to the Middle Ages, the Doctor discovers the time-hopping kidnapper is a Sontaran warrior – unaware that the TARDIS has brought alomg a 20th-Century stowaway aboard in the form of intrepid journalist Sarah Jane Smith.
1. Irongron’s Star
2. Linx’s Bargain
3. Sarah’s Bluff
4. Irongron’s Captive
5. The Doctor Disappears
6. A Shock for Sarah
7. Prisoner in the Past
8. The Robot Knight
9. Linx’s Slaves
10. Irongron’s Wizard
11. The Rescue
12. The Doctor’s Magic
13. Counter Attack
14. The Robot’s Return
15. Shooting Gallery
16. Return to Danger
17. Linx’s Departure
Background: Terrance Dicks adapts Robert Holmes’ scripts for the 1973-4 serial, except from the prologue, which Holmes wrote himself before handing the task over to Dicks.
Notes: Three years after the word ‘Sontaran’ first appeared in a Target book [see Terror of the Autons], we finally meet one – in the most exciting prologue ever, written by Robert Holmes! We join Sontaran Commander Jingo Linx as his ship faces certain obliteration after an unsuccessful battle against the Rutans in their third galactic war. We learn that the Sontarans come from the planet Sontara and he listens to the ‘sweet strains of the Sontaran Anthem’ (presumably the same one that accompanies Linx’s flag when he erects it in front of Bloodaxe) as his ship makes a last desperate escape from the black, dart-shaped Rutan pursuit ships. Sontarans are cyborgs, thanks to implants in the back of their neck that allow them to draw energy through a ‘probic vent’. The procedure that allows this is undergone on entry to the Space Corps and although it gives him a rush of energy, Linx always dreads taking a ‘power burn’.
The flood of power through his tissues was like a roaring madness, a chaotic maelstrom of colour and sound depriving him of all sentient knowledge of the outside world. He felt himself clinging like a limpet within some solitary crevice of consciousness, aware only that he still existed… still existed… still…
His cruiser is destroyed, driven into a sun as a diversion to allow him to escape the Rutans in a small scout ship. As the ship heads towards a little blue planet orbiting the sun, Linx allows himself a smile usually reserved for the ‘ the death throes of an enemy’. Most of the details here have been forgotten by subsequent authors, even Holmes himself [see The Two Doctors], but it should be mandatory reading for any hopeful Sontaran scribes.
Irongron and his band of men had once ‘roamed the forest like wolves’ before stumbling upon a castle abandoned by a lord away ‘at the wars’. His group attacked the castle at night, its inhabitants massacred, and the castle became his. His nearest neighbour, Sir Edward Fitzroy, is sickly, having returned from the Crusades with a fever. Sir Edward’s son and most of his soldiers are still fighting the king’s crusades overseas, leaving him with a depleted defence. His young squire, Eric, is given a splendid introduction, riding through the forest, wary of being too close to Irongron’s castle and falling victim to a simple trap laid by Bloodaxe.
When he first addresses Irongron, Linx speaks with ‘a booming metallic voice… strangely accented but clearly understandable English’ and the suggestion is that this is due to a translation device, not his natural voice.
The Brigadier brings the Doctor in to investigate the missing scientists and equipment to distract him as he’s missing Jo since she had got married and has refused a new assistant ever since. The Doctor is described as ‘a tall man with a lined young-old face and a shock of white hair’ (we’ll be seeing this description regularly from now on). He insists on having the TARDIS brought to the research centre in case there’s an alien influence he needs to trace. Sarah Jane Smith is introduced, ‘an attractive dark-haired girl’ who is a freelance journalist (the ‘freelance’ bit is new to the book) who has been ‘making her own way in a man’s world for some years now, and she strongly resented any suggestion that her sex doomed her to an inferior role’. The Doctor tells Rubeish that ‘Lavinia Smith’ is a woman in her ‘late sixties’ as well as being in America. The Brigadier reminds the Doctor about his failed attempts to reach Metabelis III (‘I got there eventually’, says the Doctor defensively). We get Sarah’s first reaction to the inside of the TARDIS and she hides inside a wardrobe when the Doctor enters. Realising that the wardrobe is bigger than the police box she entered – and the central control room even bigger again – she quickly forms a theory that the Doctor is an alien responsible for kidnapping the scientists. She also watches the switch the Doctor uses to open the door and uses the same switch to escape.
Linx rides on horseback for the attack on Sir Edward’s castle. The attack on Linx, the destruction of Irongron’s castle and the Doctor’s departure with Sarah all happen at night. Although Hal’s arrow kills Linx, the hand of the dead warrior hits the launch button and his ship escapes the burning castle to be returned with Linx’s corpse to the war in the stars. And hurrah for Hal as he rescues Squire Eric from the dungeon!
Oh and there’s a chapter title called ‘Return to Danger’ – so close!!
Cover: Linx the Sontaran strikes a dramatic pose before his globe-shaped craft, a superb photorealistic portrait by Roy Knipe. The cover for the 1993 reprint by Alister Pearson places the Doctor, Sarah and Irongron in square tiles behind Linx, who’s side on and holding his helmet by his side.
Final Analysis: It might be heresy but I’m not a fan of this story on TV and reading this story I can put it down to Alan Bromly’s static, leaden direction. But look at all the notes in this chapter and join me in wondering if Terrance Dicks was spurred on by his friend Holmes’ wonderful opening prologue – top three in the series so far*. Compare the two descriptions of Linx’s face – the first is by Holmes, the second by Dicks, picking up the baton:
… the heavy bones, the flat powerful muscles, the leathery, hairless epidermis, the calculating brain.… little, red eyes that were like fire-lit caves under the great green-brown dome of a skull…
The face beneath was something out of a nightmare. The head was huge and round, emerging directly from the massive shoulders. The hairless skull was greenish-brown in colour, the eyes small and red. The little nose was a pig-like snout, the mouth long and lipless. It was a face from one of Earth’s dark legends, the face of a goblin or a troll.
This extends to the major and minor characters – how Sir Edward waits for his wife to ‘run out of words’ and on the very next line ‘It was a considerable wait.’ It’s clear Dicks enjoyed this. I know I did.
* – See also Doctor Who and the Crusaders and Doctor Who and the Day of the Daleks.
Synopsis: When the Doctor receives a mysterious object, it leads him and Jo to the planet Solos, a colony in Earth’s future empire ruled by a cruel and sadistic Marshal. The native Solonians are fighting for their rights to independence while also battling something far more puzzling – some of them are transforming into hideous insect-like creatures…
1. The Hunters
2. Mutant on the Loose!
4. Hunted on Solos
5. The Experiment
7. The Attack
8. The Trap
9. The Fugitive
10. The Crystal
12. The Message
13. The Investigator
14. The Witness
15. The Change
Background: Terrance Dicks adapts scripts from a 1972 story by Bob Baker and Dave Martin.
Notes: Solos is a ‘planet of jungles’, but still looks grey from orbit due to the mists. Varan’s son is called ‘Vorn’. Dicks writes that the Doctor was exiled by the Time Lords ‘for some unknown offence’; obviously Dicks himself knows why – he co-wrote the story that saw the Doctor exiled (and so do we), but Jo actually doesn’t – the closest she gets is in The Doomsday Weapon, where the Doctor explained that he used to roam the universe before the Time Lords caught him and trapped him on Earth – but he never explains to her precisely why!
Professor Jaeger is ‘a vain and unprincipled man, desperate for scientific recognition, but without the talent to attain it on his own’; he’s disgraced back on Earth after some scandal involving results stolen from a junior colleague. The Marshal, meanwhile, came to Solos as a security guard and slowly climbed his way up the ranks to his current position; he sees himself as the supreme power over Solos, which is why he is so desperate not to lose his position. Standing at the mouth of the caves, the Marshal uses a device with a ‘directional microphone’ to overhear Stubbs and Cotton talking to the Doctor to uncover their treachery. The Marshal has a secret exit behind the desk in his office, which Cotton knows about.
Cover: Jeff Cummins makes his first appearance with a splendid photorealistic cover. A mutant leers into frame just as the TARDIS materialises in a red-lit cavern. As with Doctor Who and the Space War, the title page in early editions of this book claimed that the front cover showed ‘the third DOCTOR WHO, whose physical appearance was altered by the Time Lords when they banished him to the planet Earth in the Twentieth Century’. Er…
Final Analysis: Despite being a huge fan of the Third Doctor, this has always been my least favourite of his stories, largely because the Marshal is such a relentless bully. He’s still that here, but it’s at least useful to get the perspective of every character working around him. Even Jaeger, who is enabling his ‘scorched Solos’ policy, is doing so for scientific glory, not for anything that might benefit the marshal politically. Dicks manages to edit down the six episodes in a tidy fashion, so even though some speeches are summarised or cut back, all the beats are there in the right order.
Synopsis: A strange object from space lands on Earth near a nuclear power station. Inside are Axons, a family of golden beings who offer unlimited power in return for help with their damaged spacecraft. While the Doctor tries to keep an open mind, an ambitious politician rushes to seize the Axon’s power for his own interests. Deep inside the alien craft, the Master is being held captive – and as Jo Grant discovers, that’s not the only secret the Axons are keeping…
1. Invader from Space
2. The Landing
3. The Voice of Axos
4. Enter the Master
5. The Doctor Makes a Plan
6. Escape from Axos
7. The Axons Attack
8. The Power Robbers
9. The Sacrifice
11. The Feast of Axos
12. Trapped in Time
Background: Terrance Dicks adapts scripts by Bob Baker and Dave Martin from the 1971 production.
Notes: As it soars towards Earth, the Axos ship has a ‘constantly changing’ shape and glows with a ‘myriad of colours’ – its intention is to be noticed. The first scene with the two radio operators is expanded here; they’re not UNIT operators here, but personnel at the tracking station – Ransome and his assistant, Harry – who work down the list of people they need to contact and find ‘something called UNIT’. The first interaction between the Brigadier and Chinn also provides background information – the minister in overall charge of Chinn’s department cannot stand him, and as the Brigadier is also a problem, he decides to set the two men against each other in the hope that the winner will eliminate one or the other. Although UNIT is governed from Geneva, the Brigadier’s operations are part-funded by the British Government. Corporal Bell is not part of this story, her role is given to a nameless male technician.
We get an introductory scene where Bill Filer is on the hunt for a man called ‘Joe Grant’ – and Jo corrects him. Bill is described as having ‘closely trimmed brown hair and a pleasantly ugly face’ – wow, that’s a pretty mean swipe at the reasonably handsome Paul Grist who played him.
The Doctor and Jo drive to the landing site in Bessie (yay!).
The Axon who first frightens Jo subsequently appears as a male identical to the Axon leader. The Axon leader does not assume that the toad is livestock, but spells out the potential, had it been a ‘food animal’. The process transforms the toad into a huge form that overwhelms Chinn and makes him scream. Later, as Axos reacts to the Doctor’s experiment, the Eye of Axos is said to be ‘lashing wildly to and fro on its stalk’, which is much more fluid a movement than the TV prop could manage.
Jo overhears the Doctor speculating about Axonite’s potential for time travel and suspects he has selfish intentions early on. The Doctor spots straight away that the Axon-Filer is a fake thanks to his experience of the Autons replicating humans. He also baffles a sentry to gain access to the arrested Brigadier: ‘Good heavens, man, I know the Brigadier’s incommunicado. I’m incommunicado myself. There’s no reason why we can’t talk to each other.’ Delightful!
The Master enters the Nuton complex disguised as a visitings scientist and recalls the time he broke into UNIT HQ dressed as a ‘humble telephone engineer’. The Master’s TARDIS is a white dome, not a filing cabinet.
To the Eye of Axos’s surprise, the Doctor reveals that he’s deduced that Axos already has some limited ability for time travel; he realised that Axos reached Earth before the missiles were fired and Axos confesses that they can ‘move only moments in Time.’ Hardiman’s assistant (credited on screen as ‘Technician’) is named ‘Ericson’.
Cover: Achilleos gives us an eerie female Axon with rays of light coming from her eyes while an Axon monster looms behind her and the Doctor (taken from a photo from Frontier in Space) is pictured inset looking concerned. A 1979 edition had a cover by John Geary showing the adult male Axon and two very green Axon monsters.
Final Analysis: I’m hugely fond of The Claws of Axos TV episodes, one of those comfort stories I can bung on while I decide what I’d sooner be watching and then settle down and enjoy it. Terrance Dicks captures all of the conflicted loyalties that the Axons draw out of our heroes – are they victims in need, or should they have been blasted into bits from the start? – but he enhances the suspicion that the Doctor is solely interested in using Axos to escape Earth and relishes in making Chinn hated by absolutely everyone he encounters. The Master once again enjoys the thrill of the adventure, deciding on a whim to jump from a bridge onto a UNIT truck and then exploiting his good fortune when it turns out to be going where he wants to be. The ending is also less rushed than on TV, as Bill Filer says his goodbyes and jokes that he’d thought England would be ‘dull’, Chinn scampers back to the Minister to try framing the success as his own, while the operation to rescue the TARDIS and get it onto the back of a UNIT truck turns into a huge argument, which Jo welcomes as things getting ‘back to normal’.
Synopsis: Aiming for the planet Metabelis III, the Doctor and Jo arrive on board a ship in the Indian Ocean. Something strange is going on as the crew and inhabitants of the vessel appear to be trapped in a time loop, repeating the same actions and conversations in a cycle. And then the ship is attacked by a prehistoric monster that has been extinct for millions of years. Meanwhile, the planet Inter Minor welcomes its first ever off-world visitors, including a travelling showman and his assistant who possess a rather unusual device that contains wonders from around the universe. Purely for entertainment, strictly non-political – and highly illegal.
1. Dangerous Arrivals
2. The Monster from the Sea
3. The Giant Hand
5. Inside the Machine
6. The Monster in the Swamp
7. ‘Nothing Escapes the Drashigs’
8. The Battle on the Ship
9. Kalik Plans Rebellion
10. The Doctor Takes Over
11. Return to Peril
12. The End of the Scope
Background: Terrance Dicks adapts the 1973 scripts by Robert Holmes, which also makes season 10 the first complete season available in Target form.
Notes: The story follows on immediately from The Three Doctors, published two years before. The Scope draws in its audience, creating ‘a mild hypnotic effect, making the viewer feel part of the scene he was witnessing’. As well as environments containing humans, drashigs, Cybermen and Ogrons, we’re told that the Scope also has a collection of Ice Warriors. The Doctor uses a flare gun that he pocketed from the SS Bernice to ignite the marsh gas on the drashig’s planet (he uses his sonic screwdriver on TV). The drashig differs significantly from the beast seen onscreen; lacking the six eyes and gaining limbs, it’s less worm-like and a lot closer to the plesiosaur on the original front cover:
… something between a dinosaur and a dragon with squat body, powerful clawed legs, a sinuous neck and a mouth that seemed to contain not two but at least a dozen rows of enormous razor-edged teeth. The eyes were small and blinking, the nostrils huge and flared.
Describing his part in vanquishing the drashigs, Vorg claims he is an ‘old soldier’. After the death of Kalik, Orum confesses to his part in the conspiracy, but Plectrac assures Jo that an inquiry must still take place for the sake of procedure – and it’s this that prompts the Doctor and Jo to depart..
Cover: Within a bright yellow frame, Chris Achilleos shows a plesiosaurus as it curves around a ship in the ocean and a monochrome Doctor looks sternly at the reader. The 1993 reprint cover art by Alister Pearson is a lot busier (in a good way!), incorporating a dramatic portrait of Jon Pertwee, two face-pics of Shirna and Vorg in a moody blue, while an Inter Minor administrator inspects the mini-scope and two drashigs loom up from the bottom of the page.
Final Analysis: Adapting Robert Holmes’ satire on bureaucracy, Dicks seems to tap into some of Malcolm Hulke’s influence. HIs description of the splitting of the ruling and functionary castes into two different species seems vaguely more political than usual. By the story’s conclusion, Officials and Functionaries alike congregate to congratulate Vorg and there’s no sign of the lower caste being ushered away. Maybe that’s wishful thinking but the suggestion is there. As mentioned in the introduction, this was one of four books I received as a Christmas present in 1980, the first Target books I owned, rather than loaning from the library. This was a year before I saw the story repeated as part of the ‘Five Faces of Doctor Who’ season, so it was a favourite even before I saw what a Drashig looked like, which for once was much more creative and fearsome on TV than the book had led me to believe.
Synopsis: The TARDIS lands on the planet Spiridon, populated by killer plants, monstrous beasts and hostile invisible natives. The Doctor and Jo encounter a small group of space travellers, Thals from the planet Skaro. The Thals are tracking a small Dalek unit, hoping to destroy them. Then a second group of Thals arrives with grave news – deep beneath the planet’s surface awaits an army of thousands of Daleks.
1. Jo Alone
2. The Invisible Menace
3. The Deadly Trap
4. In the Power of the Daleks
5. The Escape
6. Danger on Level Zero
7. Ascent to Peril
8. The Enemy Within
9. Vaber’s Sacrifice
10. Return to the City
11. An Army Awakes
12. The Last Gamble
Background: Terrance Dicks adapts scripts by Terry Nation for the 1973 serial. Conveniently, this followed Frontier in Space on TV, so that’s another pair of stories to be released consecutively.
Notes: Despite being published a month after The Space War, the beginning doesn’t match up with how that ended, but with how the TV episodes played out – the Doctor has been wounded after being ambushed by the Daleks. Which means there’s a potential unseen adventure in the Target universe between the two stories in which the Doctor is injured in a battle with Daleks.
The tentacle that snakes towards Vaber belongs to a huge carnivorous bell-plant 20 feet across and the eye plants open their ‘eye’ only when something comes near. We’re offered a little more detail about the Spiridons, a once-great race who developed invisibility as a survival technique against the hostile environment, but all that remains of their civilisation are the ruins. The Daleks ‘saturated the jungles with killer rays’ to guarantee the Spiridons’ subjugation.
The Dalek hierarchy includes an expedition commander, patrol leaders, technicians and a chief scientist as well as the Dalek Supreme. The Supreme is head of the Supreme Council (not just a member of the council) and ‘second only to the Emperor himself’ – and it is described as ‘not the usual silver’ (so the Dalek troopers might match those in Death to the Daleks?).
Rebec operates the decoy Dalek because she can tell Jo was too afraid. Wester destroys the Dalek immunisation device before releasing the virus. Taron gives the Doctor and Jo anti-jungle coverings and spray to get them safely back to the TARDIS.
Cover: Utterly perfect pulp excellence from Chris Achilleos as the Doctor and the Thal Taron wrestle with a Dalek, which blasts away the side of the frame, all against a crazy lurid background of meteors soaring past a green planet. The 1992 reprint art from Alister Pearson is much more low-key, the Doctor shows off his Spiridon cloak and a patrol of Daleks, like, totally snub him as they glide by.
Final Analysis: How lovely to have this follow on from The Space War, just as it followed Frontier in Space on telly. It’s still an epic adventure, still every bit the remake of the very first Dalek adventure, but improved on the page by Dicks’s subtle additions to make the alien world feel much more expansive and more terrifying than BBC Television Centre could realise. The Daleks themselves have a little more personality than their TV counterparts too and at the climax to the story, there’s a gorgeous summation of the Dalek expedition, just before the Supreme delivers that curt motivation speech:
The Dalek Supreme turned arrogantly to his aides. It had been a day of total catastrophe, the army buried, the Spiridon expedition wiped out, the city destroyed. Any other life-form would have been crushed by despair. But Daleks do not recognise defeat. They ignore it and carry on their chosen path of conquest and destruction.
Synopsis: The Doctor and Sarah return to Earth to discover that London has been evacuated due to a spate of dinosaurs appearing and disappearing across the city. While the Doctor goes monster hunting, Sarah uncovers a conspiracy that implicates some very surprising people.
1. London Alert!
2. ‘Shoot to Kill!’
3. The Time Eddy
4. The Timescoop
5. Monster in Chains
6. The Spaceship
7. The Reminder Room
9. Operation Golden Age
10. The Final Countdown
Background: Malcolm Hulke adapts his 1974 scripts for Invasion of the Dinosaurs.
Notes: An opening scene is added, introducing Shughie McPherson, a football fan from Glasgow who wakes up in an evacuated London and is killed by a dinosaur. The Doctor and Sarah find a cafe and discover the food’s rotten, while the Doctor is aghast that he’s taken Sarah around time and space but she gets really excited by the sight of a Woolworths (and later he points out a Wimpy’s too); this hints that they’ve had adventures since The Time Warrior but this is their first time together back on modern-day Earth.
Infamously, Butler has a ‘livid scar’ on his face, so that Hulke can make him easy to identify without spelling out who he is – very inventive (he could hardly say ‘a man who looked just like Martin Jarvis’, although that would have added a little extra fun to the audiobook). It also serves to humanise him when Sarah cruelly attacks him for choosing to be ‘ugly’ only to learn that he got the scar while serving as a fire officer saving the life of a child (and Sarah quickly apologises for being so callous). There’s no weird new car for the Doctor; instead, he borrows a motorcycle as the best way to get around London (which all feels much more logical and in keeping for this Doctor).
As he watches the Doctor on a TV monitor, Professor Whitaker comments that the intruder is ‘terribly handsome’, which seems to be an addition inspired by the casting of the role onscreen, but it does add an extra dimension to him (on paper, he’s extra-arrogant and driven by the glory of proving wrong a load of people who might not ever exist if he succeeds!). The story has a new conclusion where the Doctor shows Sarah a passage in Ezekiel that describes where Professor Whitaker and Grover might have ended up.
Cover: Best cover artwork ever. It’s just so lurid and melodramatic and sums up the vast differences between the TV version and the imagination of a child who’s read the book (and I do love both). The cheeky “KKLAK!” really makes it. Having stood in the living room of the person who owns the original art, I marvelled at the beauty of it and had criminal thoughts. The first edition I read was the 1978 reprint with a cover by Jeff Cummins showing a dinosaur standing on the lower steps at St Pauls (those ones we remember the Cybermen descending in The Invasion). Alister Pearson’s cover for the 1993 rerelease (as Invasion of the Dinosaurs) shows the Doctor with his weird device and a tyrannosaurus rex, with a very subtle incorporation of the London Underground logo in a manner that might be familiar to fans of Jurassic Park. It also solidifies Pearson’s record as the only artist to provide cover art for all of the novelisations in three entire seasons of stories.
Final Analysis: This has long been one of my favourites, ever since I picked up on a character having ‘badly bitten fingernails’, while Professor Whitaker’s are ‘well-polished’. That kind of subtle detail really jumped out at me at aged eight and it still does many years later. Hulke’s eagerness to give a balanced view of his worlds extends to showing us how a stegosaurus reacts to being shot at on Hampstead Heath and I’m not even going to make a joke about that or point out that dinosaurs and mammals didn’t really hang out together in the past.
Just a few additional lines to Mark and Adam on the ‘spaceship’ also help to flesh them out a bit and make them more rounded. Adam concludes that Grover is ‘a raving lunatic’ but Sarah counters that the politician knows exactly what he’s doing. Mark rounds on Ruth because, confronted with the evidence against Grover, she still supports him because she ‘can’t stand being made a fool of! You must never be wrong!’
it all helps to sell the underlying message: As with The Cave Monsters, the title has a double meaning as there’s more than one kind of dinosaur in Westminster; there’s also the type who can’t let go of ancient history and wants to drag us all back with them to a time that never really existed. Thanks in part to the actual dinosaurs being much more realistic and thrilling on the page than on screen, plus some deeper characterisation that helps us understand who these people are, this really might be the best Target novel so far. Trust me.
Synopsis: A strange blob of jelly invades UNIT HQ while the Time Lords are being drained of energy. The answer to the mystery lies on the other side of a black hole, where a Time Lord legend waits to enact his revenge. As the Time Lords break one of their strictest rules to allow three of the Doctor’s incarnations to work together, Jo Grant worries they might only end up bickering…
1. Lightning from Space
2. Attack from the Unknown
3. The Menace of the Black Hole
4. Beyond the Unknown
5. A Shock for the Brigadier
6. In the Hands of the Enemy
7. Door to Freedom
8. Escape from Omega
9 .’All things shall be destroyed’
10. Return through the Flame
11. Three Doctors Minus Two
Background: Terrance Dicks adapts the 1973 scripts by Bob Baker and Dave Martin.
Notes: The Second Doctor has ‘dark brown eyes’ (which doesn’t match Patrick Troughton) that are ‘at once humorous and sad’. Omega’s servants are only called ‘Jelly creatures’ and ‘blob-men’ – not ‘Gellguards’ as we’ve come to know them. The First Doctor asks ‘what’s a bridge for?’ and it’s Jo who suggests ‘crossing?’, prompting the old Doctor to note ‘Gel’s got more sense than the two of you put together!’ (it’s the Third Doctor who grabs the glory on TV). The battle with Omega’s monster takes place in an open-air arena and the beast itself is still humanoid but eight feet tall and muscular (rather than a short avante-garde dance performer). There’s a hilarious pitch battle in chapter 10 where Jo is ‘staggering under the weight of an anti-tank rifle’ before she fires at the blob men and falls backwards, deciding instead to be an ‘observer’.
Cover: A Chris Achilleos classic, using references from the familiar Three Doctors photoshoot and merging them with a classic Jack Kirby Fantastic Four cover (depicting Galactus where Omega would be). It’s a vision in orange and gold. The first edition also has a rear illustration by Achilleos showing the second Doctor being led away by two blob-men. My first copy was the 1978 reprint with a cover by Jeff Cummins showing the three Doctors in front of a black hole in space (it’s the one a reader of Doctor Who Magazine criticised for making the Doctors look too old, too evil and ‘too Welsh’!). The Pertwee is from Invasion of the Dinosaurs, the Hartnell from An Unearthly Child and the Troughton isn’t the Doctor, but Salamander – hence why he’s ‘too evil’. A 1991 edition with a cover by Alister Pearson is a little more stylised, with a photorealistic Omega ranting before a backdrop of burnt-out Doctors as banners in front of a black circle.
Final Analysis: Dicks makes Jo our point-of-view character, so to her, the other Doctor that Benton knows is her ‘Doctor Two’, while the one on the scanner screen is ‘the old man’ and ‘the old Doctor’, which works so well. Dicks also has Doctor Two correctly identify his instrument as a recorder – then refer to it as a ‘flute’ for the rest of the book!
Synopsis: The Doctor’s adventures come back to haunt him as a stolen gem from Metebelis Three triggers ‘the most dangerous adventure of his life’. The Doctor’s greed for adventure and knowledge is matched by the greed for power of the Eight-Legs and their leader, the Great One. And none of them will survive this one…
Prologue: The Mystery of the Crystal
1. The Menace at the Monastery
2. The Deadly Experiment
3. The Coming of the Spider
4. The Chase for the Crystal
5. The Council of the Spiders
6. Arrival on Metebelis Three
7. Prisoner of the Spiders
8. The Doctor Hits Back
9. In the Lair of the Great One
10. Return to Earth
11. The Battle with the Spiders
12. The Last Enemy
Epilogue: An End and a Beginning
Background: Terrance Dicks adapts scripts by Robert Sloman (and Barry Letts, uncredited) from 1974.
Notes: Another lovely prologue that I wish we’d seen on TV as Professor Jones and his new bride encounter resistance in their trek across the Amazon forests. Jo Jones, formerly Jo Grant of UNIT, has to ditch a huge blue crystal that the Doctor gave her as a wedding present. There’s a Dr Sweetman working as UNIT’s medical officer today [but see The Giant Robot]. The soldier on guard at UNIT HQ gets a name (Corporal Hodges). We also find out that four of Lupton’s gang were hospitalised with nervous breakdowns, while the Brigadier helps Sarah to get Tommy into university.
Cover: ‘Read the last exciting adventure of DR WHO’s 3rd Incarnation!’ screams the back cover. On the front, Peter Brookes gives us the Doctor reacting to Sarah with the Queen Spider on her back, along with a montage of the Doctor changing face that’s much more dramatic than we get on telly. There are no illustrations inside but there’s one on the back cover of a spider crawling across a mandala. I had the 1978 reprint with an Alun Hood cover depicting a blue crystal and a red-backed tarantula clambering over some rocks. The 1991 reprint with art by Alister Pearson shows a haunted portrait of Pertwee reflected in the blue crystal and another tarantula-like arachnid reared to attack.
The epilogue is called ‘An End and a Beginning’; we’ll be seeing variations on this a lot over the next few years.
Final Analysis: My earliest memory is of Planet of the Spiders, where a spider appearing on a carpet after some men chant ‘Um Andy Pandy Um’ (I know what they chant now, of course!), so this holds a special relevance for me. This is a decent adaptation with some lovely additions to the thought processes of the characters. Dicks captures Sarah’s voice particularly well (although once again, he has her fainting!) and he adds greatly to our understanding of Lupton and his bitterness. We also benefit from a much more thrilling – and logical – version of the very padded chase sequence.