Chapter 62. Doctor Who and the Monster of Peladon (1980)

Synopsis: The Doctor returns to Peladon with his new friend Sarah Jane Smith. Though membership of the Federation has brought some benefits to the planet, there is growing discontent among its people. The young Queen Peladon rules with kindness, but the old ways of superstition still have influence and when manifestations of the great beast Aggedor disrupt the mining of minerals, a force of Ice Warriors arrives to ensure that mining continues. But Sarah Jane saw an Ice Warrior in the mines before they officially arrived – and the Doctor’s old friend Alpha Centauri begins to suspect that these Ice Warriors aren’t even part of the Federation, but are traitors intent on gaining the minerals for themselves.

Chapter Titles

  • 1. Return to Peladon
  • 2. Aggedor Strikes Again
  • 3. The Fugitives
  • 4. The Hostage
  • 5. The Wrath of Aggedor
  • 6. The Intruder
  • 7. The Ice Warriors
  • 8. The Madman
  • 9. The Return of Aggedor
  • 10. Trapped in the Refinery
  • 11. The Threat
  • 12. Aggedor’s Sacrifice

Background: Terrance Dicks adapts the 1974 scripts by Brian Hayles (who had started work on the novel before his death in 1978). This completes the Target run of adaptations of stories from Season 11.

Notes: Peladon has three moons. We’re told this as part of an introductory chapter that summarises both the events of The Curse of Peladon and the intervening years up to this point, during which a war with Galaxy Five has made Peladon a key resource for the Federation. Apparently, Sarah Jane Smith has been the Doctor’s ‘more or less unwilling companion on a number of adventures’ and she instantly regrets allowing herself to be persuaded by the Doctor’s stories of a ‘picturesque and primitive planet, just making the transition from feudal savagery to technological civilisation’.

Ettis is said to be ‘a thin, wiry young man’ (so the casting for the TV version clearly shows what a hard life it is, being a miner, because he’s not ‘young’). Sarah observes a number of differences between Commander Azaxyr and his subordinates: 

Although equally large, Azaxyr was built on slenderer, more graceful lines than his tank-like troops. He moved more easily, and in particular his mouth and jaw were differently made, less of a piece with the helmet-like head. While the other Ice Warriors grunted and hissed in monosyllables, Azaxyr spoke clearly and fluently, though there was still the characteristic Martian sibilance in his voice.

The Doctor notes that, as a member of an aristocratic Martian line, Azaxyr is ‘almost a different species from the ordinary warriors’. 

Cover: Steve Kyte’s design shows an Ice Warrior and the hulking form of a roaring Aggedor. Simple but effective. Alister Pearson’s 1992 cover shows the Aggedor statue and the Doctor as the background to a cluster of Sarah, Azaxyr, Alpha Centauri and Eckersley.

Final Analysis: It’s a welcome return for the Third Doctor, our first story to feature him since Death to the Daleks 19 books ago. Terrance Dicks might not attribute the colourful cuttlefish properties to Alpha Centauri that Bryan Hayles did in Doctor Who and the Curse of Peladon, but instead Alpha’s tentacles are the indication of his moods. Aggedor is said to be even bigger than he was the last time the Doctor saw him (and considering the illustrations of him in the previous novelisation, that must make him really huge now) and Dicks adjusts the Martian Commander to be as imposing as his warriors.

Chapter 11. Doctor Who and the Curse of Peladon (1975)

Synopsis: Alien delegates assemble on the eve of the planet Peladon’s acceptance into a galactic federation. King Peladon balances the superstition of his people and the promises of advancement, but his High Priest, Hepesh, wishes to preserve the Old Ways. The old priest plots to sabotage the King’s ambitions with help from an alien with selfish plans of their own. As the Doctor becomes entwined in the political future of this primitive planet, King Peladon of Peladon makes a proposal to Jo – an allegiance bonded in marriage…

Chapter Titles

  • 1. The Deadly Guardian
  • 2. Into the Chasm
  • 3. An Enemy from the Past
  • 4. The Doctor Must Die
  • 5. The Attack on Arcturus
  • 6. The Temple of Aggedor
  • 7. Escape to Danger
  • 8. Trial by Combat
  • 9. A Conspiracy of Terror
  • 10. The Battle for the Palace
  • 11. The King’s Avenger

Background: Bryan Hayles adapts his own 1972 scripts. 

Notes: King Peladon’s mother is named (Ellua) and she may have had a passing resemblance to Jo. Alpha Centauri changes colour, like a cuttlefish, to reflect moods. There are a few extra scenes, such as a chat between the Doctor and Ssorg, and another between Jo and Grun, just before the duel. Peladon saves Jo’s life by making sure Jo is not overheard by Hepesh when she criticises him about the Doctor’s trial (Hepesh would certainly call for Jo’s death too) and later, before a statue of Aggedor, Peladon vows to rid his land of all iconography of the beast if the Doctor is killed in the duel.The Doctor is specific about his encounters with the Ice Warriors, telling Jo he’s ‘met them twice so far’.

Cover & Illustrations: The first cover was again by Chris Achileos, a nice montage of the Doctor, Alpha, Aggedor (with smoking nostrils) and Ssorg. An illustration by Bill Donohoe solely for a 1981 hardback edition uses photo references from The Monster of Peladon for another Ice Warrior, Alpha and Aggedor group shot. Alister Pearson’s 1992 reprint cover shows the Doctor in weirdly beautiful blue-red lighting, the citadel, Arcturus, Ssorg and Aggedor. Alan Willow provides internal illustration again and it’s taken me way too long to realise that he wouldn’t have had access to the tapes, only of selected publicity photos, which is why the likenesses of the guest cast in these books are often so unlike their TV counterparts (here, King Peladon looks suspiciously like Christopher Lee!). Willow’s Aggedor is more monstrous and huge than on screen and the arena for the duel between the Doctor and Grun looks like a traditional medieval pageant.

Final Analysis: Bryan Hayles’ first novelisation and the ‘Escape to Danger’ chapter title makes its first appearance in a Target original (though we’ve been close a few times). This is largely a straightforward summary of the TV episode with just a few deviations and elaborations (noted above), but what he does change is for the benefit of the characters, in particular the Martians and Alpha Centauri.