Chapter 21. Doctor Who and the Ice Warriors (1976)

Synopsis: As mainland Britain is plunged into a new ice age, researchers at the Britannica scientific base uncover a giant man refrigerated in the frozen landscape. The figure thaws and emerges from suspended animation, announcing himself as Varga, a warrior from Mars. He aims to uncover his spaceship and crew, which have lain dormant all this time. And doing so could risk the destruction of the Britannica Base…

Chapter Titles

  • 1. Battle Against the Glaciers
  • 2. Two Minutes to Doomsday
  • 3. Creature from the Red Planet
  • 4. Back from the Dead
  • 5. The Omega Factor
  • 6. Under the Moving Mountain
  • 7. Diplomat in Danger
  • 8. The Martian Ultimatum
  • 9. Counter-Attack
  • 10. On the Brink of Destruction!

Background: Bryan Hayles adapts his own scripts for the 1967 serial.

Notes: Jamie is described as a ‘rugged-faced lad’ and Victoria as ‘a pretty, doll-like girl’. Zondal is a lieutenant and Jamie says there are six warriors although only five are named (as per the TV show). The escapade with the bear is missing. The Britannica Base computer is named here, ECCO. The Doctor threatens Varga with a sonic blast set to ‘Frequency Seven’, which will affect the Martian as his body has a higher fluid content than humans (a detail mentioned on TV and then forgotten). Varga notes that Frequency Seven is used ‘in the prisons of his home planet as a form of aversion punishment, continuous doses of it could destroy the brain, leaving the body a living vegetable’.

Cover: Chris Achilleos recreates a couple of publicity photos – Victoria screams and Varga looms behind her with sparks flying from his clamp-hands; it’s a simple but very effective design – and the first not to feature the Doctor!

Final Analysis: While the Ice Warriors themselves are an inventive creation that just about manage to avoid being totally generic aliens, much of the dialogue among the Britanica Base staff has a degree of technowaffle that feels fake and artificially hysterical for no real reason. Hayles follows the main flow of the TV episodes faithfully, with just the odd tweak here and there, but despite the story’s revered status, it’s deathly dull and the book doesn’t really salvage that.

Bryan Hayles died in 1978, aged 47.

Chapter 12. Doctor Who and the Cybermen (1975)

Synopsis: The Cybermen tried to invade the Earth once but were ‘humiliatingly defeated’. Their second attempt comes via the Moon, where they are already lying in wait for the perfect moment to attack. As the personnel of the Moonbase fall ill one by one, the Doctor and his friends scramble to find the cause.

Chapter Titles

  • 1. Prologue: The Creation of the Cybermen
  • 2. The Landing on the Moon
  • 3. The Moon Base
  • 4. Attack in the Medical Unit
  • 5. The Space-plague
  • 6. The Doctor Investigates
  • 7. The Cybermen’s Plot
  • 8. The Battle with the Cybermen
  • 9. Victory, perhaps…
  • 10. The March of the Cybermen
  • 11. Into Battle with the Gravitron!

Background: Gerry Davis adapts the scripts he co-wrote with Kit Pedlar for the 1967 serial The Moonbase.

Notes: We begin with a prologue that’s a potted history of the Cybermen that (in line with later stories but contradicting The Tenth Planet) states that the Cybermen come from Telos. Later on, when discussing Mondas, the Cybermen say they come from ‘the other Cyberman planet, TELOS’. Ben and Polly are from the 1970s now, so they’re familiar with the Apollo Moon landings, although Davis seems to think Ben is still wearing his sailor’s uniform and Polly is in a mini-skirt and tee-shirt. Oh and Jamie is tagged as ‘a little thick, even by 1745 standards’, which seems hugely unfair. There’s a Cyberman with a red line down the front of his chest unit, which Davis draws attention to but doesn’t elaborate on, and a couple of others with black helmets similar to those seen in Revenge of the Cybermen, who have names (as in The Tenth Planet).

Cover & Illustrations: Chris Achilleos painted the original cover using a Troughton pic from The Three Doctors and a Cybermen from The Invasion. I had the 1981 reprint with the cover by Bill Donohoe that appears to depict the Cyber-space walk from the end of The Wheel in Space. Illustrations by Alan Willow show the correct Moonbase Cybermen, and the best pic is of Ralph, the Moonbase crewman, staring in horror as (the caption explains) ‘the shadow of a large figure’ looms over him.

Final Analysis: It’s nice when the originators of a story get to give us their version. Davis largely sticks to the story as televised, but he really goes to town with a nautical theme with chapter two’s description of the TARDIS’s dramatic journey to the Moon (‘Like a ship in a heavy sea,’)  including a reference to the TARDIS ‘cabin’, ‘bulkheads’ and ‘deck’. In the prologue there’s a line that ‘although revenge was not a part of their mental makeup any more than the other emotions,’ which I suspect was pushing against Davis’s recent experience with Robert Holmes changing his title (and most of the script) for Tom Baker’s Cyberman adventure.

Chapter 10. Doctor Who and the Abominable Snowmen (1974)

Synopsis: Landing the TARDIS in Tibet near the Det-sen monastery, the Doctor decides to return a holy relic, which he took receipt of three hundred years before. He’s quickly accused of murder by a zealous explorer called Travers, who’s hunting the legendary Yeti. But the Yeti that are roaming these hills are the real killers – and they’re robots controlled by someone within the monastery. 

Chapter Titles

  • 1. The Secret of the Snows
  • 2. The Creature in the Cave
  • 3. Live Bait to Catch a Monster
  • 4. Jamie Traps a Yeti
  • 5. The Secret of the Inner Sanctum
  • 6. A Yeti Comes to Life!
  • 7. A Plan to Conquer Earth
  • 8. Revolt in the Monastery
  • 9. Attack of the Yeti
  • 10. Peril on the Mountain
  • 11. The Final Battle
  • 12. The Abominable Snowman

Background: Terrance Dicks adapts the first Second Doctor novelisation based on the scripts by Mervyn Haisman & Henry Lincoln.

Notes: Terrance Dicks gets his first go at the Second Doctor, who has ‘a gentle, rather comical face, and a shock of untidy black hair’, while Jamie is ‘a brawny youth in highland dress, complete with kilt’ and Victoria is ‘a small, dark girl dressed in the style of Earth’s Victorian age’. There’s also harkbacks to the origin stories for the companions. He tweaks the Yeti here to make them more like the ferocious ones seen in The Web of Fear, with glowing red eyes and a terrifying roar. He also adjusts a few of the character names, in deference to his Buddhist producer on the TV show, Barry Letts, to avoid using the names of real historical figures, and he expands the backstory of Travers: His nemesis is a Professor Walters; and Travers’ fated companion who’s killed early on (called simply ‘John’ onscreen) is here identified as his best / only friend, known as ‘Mackay’.

Cover & Illustrations: Chris Achilleos’s original cover showed a lovely Second Doctor head-shot (taken for The Three Doctors) with a small Jamie and Victoria cowering from a roaring Yeti and the Earth creating a lovely circular frame in the background. I had the 1983 edition with a shaggy Yeti in the moonlight up a mountain and both covers used the same photo reference. The illustrations are again by Allan Willow and the standout one is where Jamie and Thomni smash the glowing spheres in the control room; there’s a lovely depth to it with the Doctor and Victoria just visible through the doorway. And that’s the only (tiny) illustration of the Doctor in the entire book.

Final Analysis: This is much more fun than the TV series. It’s largely helped by Dicks choosing to make the Yeti more like they were in the sequel, so they roar and claw and attack, rather than amble about and wiggle a bit. Padmasambvha is a less terrifying creation than on TV, we never forget that he is still a human struggling against the possession of the Great Intelligence, described here as having been ‘exiled’ from ‘another dimension’ (so who kicked him out?!). His final end is rather heartbreaking.