Chapter 111. Doctor Who – The Seeds of Death (1986)

Synopsis: The T-Mat system, a form of instantaneous transport across the planet Earth, is controlled by a crew based on the Moon. Invaders bring operations to a halt, leaving Earth in chaos.T-Mat is so all-encompassing that the only rocket is in a museum – and the only person with enough training to fly one is the Doctor. Taking Jamie and Zoe along for the ride, the Doctor heads to the Moon, where he finds a party of Ice Warriors with a plan to destroy all humanity.

Chapter Titles

  • 1. Trouble with T-Mat
  • 2. Enter the Doctor
  • 3. Radnor’s Offer
  • 4. Countdown
  • 5. Blast-Off
  • 6. Crashdown
  • 7. The Genius
  • 8. The Pods
  • 9. The Blight
  • 10. The Invader
  • 11. The Rescue
  • 12. The Renegade
  • 13. The Sacrifice
  • 14. Trapped!
  • 15. Signal of Doom

Background: Terrance Dicks adapts scripts by Brian Hayles for the 1969 story.

Notes: According to Dicks, gender equality in the 21st Century is ‘still more theoretical than practical’ and that to gain high rank, ‘a woman had to be not simply as good as, but measurably better than, her male colleagues.’ The base on the moon was intended as the start of a huge city, but the creation of T-Mat saw an instant lack of interest in space travel and the project was abandoned.

The Doctor is ‘a smallish man with a mop of untidy black hair and a deeply-lined face that looked wise and gentle and funny all at once’. He wears ‘baggy check trousers, supported by wide, elaborately patterned braces, a wide-collared white shirt and a scruffy bow tie’. Jamie is a ‘brawny young man’ wearing ‘a dark shirt and a battle-dress tunic over the kilt of a Scottish Highlander’. We’re reminded that Zoe first met the Doctor and Jamie on the space wheel. She’s a ‘very small, very neat, very precise young woman with a fringe of short dark hair looked on with an air of equal scepticism’. She’s dressed in ‘a short skirt, a short-sleeved, high-necked blouse with a waistcoat over it, and high boots, all in shining, colourful plasti-cloth’ and we’re told that her clothes, like Jamie’s, are ‘an indication of the time from which she had been taken. Zoe is said to be ‘highly intelligent and with a great deal of advanced scientific training [with…] a precise and orderly scientific mind’.

There are some splendid descriptions of the Martian invaders: Slaar’s voice is ‘harsh and sibilant, a sort of throaty hissing whisper that seemed to put extra s’s in all the sibilants’; one of his lumbering warriors has a:

… massive body [that] was covered in scaly green hide, ridged and plated like that of a crocodile. The head was huge, helmetlike, ridged at the crown, with large insectoid eyes and a lipless lower jaw. The alien leader shared the same terrifying form, though its build was slimmer, the movements somehow less clumsy. The jaw too was differently made, less of a piece with the helmet-like head.

As a description, it does seem to be a closer fit for the ‘big-head’ versions like Isbur from The Ice Warriors, as the ones in this TV story don’t have especially huge heads. The Grand Marshal who appears on the videolink has a helmet that’s ‘differently shaped from that of Slaar… studded with gleaming jewels’ and his voice ‘although aged, was filled with power and authority’.

Osgood’s first name is ‘Harry’, though Radnor’s first name (Julian on TV) is not mentioned. The Doctor is referred to anachronistically as a Time Lord a couple of times.

Cover: Tony Masero’s debut cover for a first edition shows an Ice Warrior on the surface of the Moon.

Final Analysis: Welcome back, Terrance Dicks! We’re treated to a rather special adaptation here; while he follows the scripts methodically, as we’d expect, Dicks also provides insight into the characters that might not be obvious from their portrayal on TV. Of particular note is the Minister who’s responsible for T-Mat, Sir John Gregson, who – we’re told – ‘could turn a difficulty into a disaster in record time’. Not since Chinn in The Claws of Axos have we seen the character of a politician so completely assassinated. It’s a joyful subtlety.

It’s worth remembering that Bryan Hayles’s scripts were written in the lead-up to the first successful moon landing; just over four months before Neil Armstrong and Buzz Aldrin boldly went where the Doctor and his chums had gone before. The book, however, came 11 months after the Space Shuttle Challenger exploded on take-off, a disaster which led to a three-year grounding of the space shuttle fleet. While the people of this 21st Century might have forgotten the thrill of the space program, we get a real sense of it through the characters as they rediscover their lost skills – especially the inventor of the all-important space rocket, Professor Eldred:

Eldred stood looking at a monitor, watching the rocket streaking steadily upwards. On his face was the incredulous delight of a man who sees his lifelong dream come true.

Then a shadow of sadness crossed his face. For him, the dream had become reality too late. From now on, he could only watch…

The Seeds of Death was one of the earliest stories to be made available by BBC Home Video, making this the first novel to be released after its VHS release. The point I’m making here is that Terrance Dicks’s usual approach was to recreate a story pretty much exactly, as readers wouldn’t be able to rewatch it. But slowly, things were changing.

Chapter 62. Doctor Who and the Monster of Peladon (1980)

Synopsis: The Doctor returns to Peladon with his new friend Sarah Jane Smith. Though membership of the Federation has brought some benefits to the planet, there is growing discontent among its people. The young Queen Peladon rules with kindness, but the old ways of superstition still have influence and when manifestations of the great beast Aggedor disrupt the mining of minerals, a force of Ice Warriors arrives to ensure that mining continues. But Sarah Jane saw an Ice Warrior in the mines before they officially arrived – and the Doctor’s old friend Alpha Centauri begins to suspect that these Ice Warriors aren’t even part of the Federation, but are traitors intent on gaining the minerals for themselves.

Chapter Titles

  • 1. Return to Peladon
  • 2. Aggedor Strikes Again
  • 3. The Fugitives
  • 4. The Hostage
  • 5. The Wrath of Aggedor
  • 6. The Intruder
  • 7. The Ice Warriors
  • 8. The Madman
  • 9. The Return of Aggedor
  • 10. Trapped in the Refinery
  • 11. The Threat
  • 12. Aggedor’s Sacrifice

Background: Terrance Dicks adapts the 1974 scripts by Brian Hayles (who had started work on the novel before his death in 1978). This completes the Target run of adaptations of stories from Season 11.

Notes: Peladon has three moons. We’re told this as part of an introductory chapter that summarises both the events of The Curse of Peladon and the intervening years up to this point, during which a war with Galaxy Five has made Peladon a key resource for the Federation. Apparently, Sarah Jane Smith has been the Doctor’s ‘more or less unwilling companion on a number of adventures’ and she instantly regrets allowing herself to be persuaded by the Doctor’s stories of a ‘picturesque and primitive planet, just making the transition from feudal savagery to technological civilisation’.

Ettis is said to be ‘a thin, wiry young man’ (so the casting for the TV version clearly shows what a hard life it is, being a miner, because he’s not ‘young’). Sarah observes a number of differences between Commander Azaxyr and his subordinates: 

Although equally large, Azaxyr was built on slenderer, more graceful lines than his tank-like troops. He moved more easily, and in particular his mouth and jaw were differently made, less of a piece with the helmet-like head. While the other Ice Warriors grunted and hissed in monosyllables, Azaxyr spoke clearly and fluently, though there was still the characteristic Martian sibilance in his voice.

The Doctor notes that, as a member of an aristocratic Martian line, Azaxyr is ‘almost a different species from the ordinary warriors’. 

Cover: Steve Kyte’s design shows an Ice Warrior and the hulking form of a roaring Aggedor. Simple but effective. Alister Pearson’s 1992 cover shows the Aggedor statue and the Doctor as the background to a cluster of Sarah, Azaxyr, Alpha Centauri and Eckersley.

Final Analysis: It’s a welcome return for the Third Doctor, our first story to feature him since Death to the Daleks 19 books ago. Terrance Dicks might not attribute the colourful cuttlefish properties to Alpha Centauri that Bryan Hayles did in Doctor Who and the Curse of Peladon, but instead Alpha’s tentacles are the indication of his moods. Aggedor is said to be even bigger than he was the last time the Doctor saw him (and considering the illustrations of him in the previous novelisation, that must make him really huge now) and Dicks adjusts the Martian Commander to be as imposing as his warriors.

Chapter 21. Doctor Who and the Ice Warriors (1976)

Synopsis: As mainland Britain is plunged into a new ice age, researchers at the Britannica scientific base uncover a giant man refrigerated in the frozen landscape. The figure thaws and emerges from suspended animation, announcing himself as Varga, a warrior from Mars. He aims to uncover his spaceship and crew, which have lain dormant all this time. And doing so could risk the destruction of the Britannica Base…

Chapter Titles

  • 1. Battle Against the Glaciers
  • 2. Two Minutes to Doomsday
  • 3. Creature from the Red Planet
  • 4. Back from the Dead
  • 5. The Omega Factor
  • 6. Under the Moving Mountain
  • 7. Diplomat in Danger
  • 8. The Martian Ultimatum
  • 9. Counter-Attack
  • 10. On the Brink of Destruction!

Background: Bryan Hayles adapts his own scripts for the 1967 serial.

Notes: Jamie is described as a ‘rugged-faced lad’ and Victoria as ‘a pretty, doll-like girl’. Zondal is a lieutenant and Jamie says there are six warriors although only five are named (as per the TV show). The escapade with the bear is missing. The Britannica Base computer is named here, ECCO. The Doctor threatens Varga with a sonic blast set to ‘Frequency Seven’, which will affect the Martian as his body has a higher fluid content than humans (a detail mentioned on TV and then forgotten). Varga notes that Frequency Seven is used ‘in the prisons of his home planet as a form of aversion punishment, continuous doses of it could destroy the brain, leaving the body a living vegetable’.

Cover: Chris Achilleos recreates a couple of publicity photos – Victoria screams and Varga looms behind her with sparks flying from his clamp-hands; it’s a simple but very effective design – and the first not to feature the Doctor!

Final Analysis: While the Ice Warriors themselves are an inventive creation that just about manage to avoid being totally generic aliens, much of the dialogue among the Britanica Base staff has a degree of technowaffle that feels fake and artificially hysterical for no real reason. Hayles follows the main flow of the TV episodes faithfully, with just the odd tweak here and there, but despite the story’s revered status, it’s deathly dull and the book doesn’t really salvage that.

Bryan Hayles died in 1978, aged 47.

Chapter 11. Doctor Who and the Curse of Peladon (1975)

Synopsis: Alien delegates assemble on the eve of the planet Peladon’s acceptance into a galactic federation. King Peladon balances the superstition of his people and the promises of advancement, but his High Priest, Hepesh, wishes to preserve the Old Ways. The old priest plots to sabotage the King’s ambitions with help from an alien with selfish plans of their own. As the Doctor becomes entwined in the political future of this primitive planet, King Peladon of Peladon makes a proposal to Jo – an allegiance bonded in marriage…

Chapter Titles

  • 1. The Deadly Guardian
  • 2. Into the Chasm
  • 3. An Enemy from the Past
  • 4. The Doctor Must Die
  • 5. The Attack on Arcturus
  • 6. The Temple of Aggedor
  • 7. Escape to Danger
  • 8. Trial by Combat
  • 9. A Conspiracy of Terror
  • 10. The Battle for the Palace
  • 11. The King’s Avenger

Background: Bryan Hayles adapts his own 1972 scripts. 

Notes: King Peladon’s mother is named (Ellua) and she may have had a passing resemblance to Jo. Alpha Centauri changes colour, like a cuttlefish, to reflect moods. There are a few extra scenes, such as a chat between the Doctor and Ssorg, and another between Jo and Grun, just before the duel. Peladon saves Jo’s life by making sure Jo is not overheard by Hepesh when she criticises him about the Doctor’s trial (Hepesh would certainly call for Jo’s death too) and later, before a statue of Aggedor, Peladon vows to rid his land of all iconography of the beast if the Doctor is killed in the duel.The Doctor is specific about his encounters with the Ice Warriors, telling Jo he’s ‘met them twice so far’.

Cover & Illustrations: The first cover was again by Chris Achileos, a nice montage of the Doctor, Alpha, Aggedor (with smoking nostrils) and Ssorg. An illustration by Bill Donohoe solely for a 1981 hardback edition uses photo references from The Monster of Peladon for another Ice Warrior, Alpha and Aggedor group shot. Alister Pearson’s 1992 reprint cover shows the Doctor in weirdly beautiful blue-red lighting, the citadel, Arcturus, Ssorg and Aggedor. Alan Willow provides internal illustration again and it’s taken me way too long to realise that he wouldn’t have had access to the tapes, only of selected publicity photos, which is why the likenesses of the guest cast are often so unlike their TV counterparts (here, King Peladon looks suspiciously like Christopher Lee!). His Aggedor is more monstrous and huge than on screen and the arena for the duel between the Doctor and Grun looks like a traditional medieval pageant.

Final Analysis: Bryan Hayles’ first novelisation and the ‘Escape to Danger’ chapter title from The Daleks makes its first appearance in a Target original (though we’ve been close a few times). This is largely a straightforward summary of the TV episode with just a few deviations and elaborations (noted above), but what he does change is for the benefit of the characters, in particular the Martians and Alpha Centauri.