Chapter 152. Doctor Who – Battlefield (1991)

Synopsis: Warriors from another dimension bring their fight to a lake reputed to be the last resting place of King Arthur. Nearby, a convoy of UNIT troops is transporting a nuclear weapon. The Doctor and Ace recover Arthur’s sword, Excalibur, observed by the witch Morgaine and the chained beast The Destroyer. But the invaders haven’t reckoned on an old soldier coming out of retirement for one final mission. Brigadier Lethbridge-Stewart has arrived! 

Chapter Titles

Divided into Part One, Two, Three and Four, and subdivided by numbered chapters – eighteen in total.

Background: Marc Platt adapts scripts by Ben Aaronovitch for the 1989 serial, completing the run of stories for Season 26 and the seventh Doctor. This is also the last Doctor Who TV story to be novelised under the original Target banner.

Notes: The prologue details the final hours of Arthur as he and Bedivere leap across dimensions to flee from the war with Morgaine and Mordred. Bedivere casts Excalibur into a lake, before Mordred slits his throat. Arthur is taken to safety, where he’s reunited with Merlin, a man with an ‘avuncular face’ and ‘twin hearts’. He has ‘unruly red hair’ (is this why future Doctors are so excited by the prospect of being ‘ginger’?) and wears a ‘tatty embroidered Afghan coat’ and a floppy, brown felt hat with a saffron Katmandu bandana around the brim. Receiving Excalibur, he places it in the exact position that he remembers finding it in (so ‘Merlin’ is definitely a future Doctor).

Brigadier Bambera is lifted out of a mission in the Zambezi region to command operation ‘Dull Sword’, the name for the removal of ‘Salamander Six-Zero’, a ‘ground-launched cruise missile system, in breach of the Berlin Convention’. She arrives at UNIT HQ, a former ‘finishing school’ located ‘six klicks’ from Geneva; the base itself is 200 metres below ground. Her callsign is ‘Seabird One’. The signal sent by Excalibur to the TARDIS is much more powerful than on TV; it’s responsible for an electronics blackout that hits the south of England – and the TARDIS itself. Inside the darkened main control room, the Doctor has a lectern in the shape of an eagle (the one he had on TV in the 1960s). The electronics blackout is followed by a violent storm greater than the ones in ‘1987 and 1995’. The Doctor finds a copy of Sir Thomas Malory’s 15th-century work Le Morte D’arthur and pops it in his pocket. Mordred has a disappointing night of drinking at a tavern in a place called Gore; he leaves the inn at dawn and is taken by an ornithopter to meet with his mother, the Queen. All of the suits of armour from this other dimension are equipped with display screens in the visor and the ability to leap across the dimensions.

The events in England take place in the spring of 1999 (the tax disc of Peter Warmsly’s car is due to expire on 30 June ’99). Peter has a ‘northern accent’ (the actor who played him, James Ellis, did his best to disguise his Belfast accent, so that accent would be ‘Northern Irish’) and his companion is a large Irish wolfhound called Cerberus. Bambera attended lectures at Sandhurst (the military academy that trains all British officers) delivered by ‘Chunky Gilmore [see Remembrance of the Daleks] and she also remembers that UNIT’s ‘Zen Brigade’ at Aylesbury had been led by Brigadier Lethbridge-Stewart. 

Doris is an economist and she inherited her mock-Tudor home from an aunt. She became reacquainted with Lethbridge-Stewart after seeing him in a TV documentary that insinuated he was keeping secrets from the British public:

‘We may never know what happened at the atomic installation at Wenley Moor, the fate of Mars Probe 7, the Styles Conference on disarmament or the terrible ecological accident at Llanfairfach. But we do know that Brigadier Alastair Lethbridge-Stewart was a leading agent in the Government’s response to these crises.’

Doris arranged to visit Lethbridge-Stewart at his home in the grounds of the school where he taught Mathematics [see Mawdryn Undead] and, reminded of a previous encounter at a Brighton hotel, she suggested they get married. 

Shou Yuing is a student at Exeter University and is surprised by the sight of Ace’s 80s-style clothes. Her family name is ‘Li’ (she introduces herself to the Brigadier as ‘Li Shou Yuing’) and her grandmother, a great story-teller, spoke only Mandarin all her life, despite having been a British subject for 53 years (we might speculate that she was a refugee from the Chinese Civil War, which resumed in 1946). Her brother appears to be a mechanic and he gave her car a respray only a week before she came to the area. Her parents wait for her outside of the exclusion zone and she feels she’ll be in a lot of trouble when they find her (which is possibly why she sticks around long enough to be invited home with the Lethbridge-Stewarts at the end).

At the Gore Crow Hotel, Pat sells four flavours of crisps, ‘plain, roasted peanut, onion gravy or cauliflower cheese’. The Doctor has various units of currency in his pockets, including ‘Pallistratum Gromits’, ‘seven-and-three-eighth Rlarix Sovereigns’ and ‘something shaped like a small mechanoid crab’, but pays for the drinks with a ‘1998 five pound ecucoin’. It might be ten years into Ace’s future, but it’s more than 20 years in our past and £4.95 for half a cider, a lemonade and a packet of crisps is still extortionate in 2022.

Ace is still wearing the same shoes she had in Iceworld and they’re letting in water (even before she gets ejected into the lake!). She tells Bambera to ‘piss off’. Suspecting that his future self might have been ‘too clever for his own good’, the Doctor considers that ‘so many regenerations in so short a span could not be good for the brain.’ The knowledge of the future Merlin makes him suddenly and uncomfortably aware of the mortality of his current form. Morbid thoughts turn to a memory of the Time Lord academy. 

The Doctor and Ace discuss Clark’s Law – ‘Any advanced form of technology is indistinguishable from magic’; The Brigadier tactlessly addresses Ace as ‘the latest one’, which makes her immediately very snarky towards him; and Ace and Shou Yuing deduce that the legend of King Arthur came from the ‘real’ Arthur, and that Excalibur wasn’t inserted into the stone, it was plugged into the console of the ship in the lake – all of which were scenes deleted from original broadcast but restored for a Special Edition edit on the DVD release.

Elizabeth Rowlinson has been blind for 22 years. Her husband, Pat, goes to the crashed helicopter with a first aid kit and helps Lavel to escape; he was in the police force for 23 years before becoming the landlord of the Gore Crow (and Noel Collins, who played him on TV, played a police officer in Juliet Bravo for five years). Morgaine takes control of the UNIT officer and learns that she is ‘Francoise Eloise Lavel’ and that she grew up in Brittany. Morgaine enters Lavel’s mind to see a young Lavel running through a field, watching the birds and telling her mother she wants to fly ‘like a great arrow’. The Witch Queen says to her in French, ‘goodbye my little one. Now you are with me’, before turning her to ash.

Ancelyn was once a general in Morgaine’s army, but an ancient family oath compelled him to answer Arthur’s call and Morgaine branded him a traitor. Despite the switch in allegiances, Ancelyn refuses to share secrets with UNIT that might help them defeat Morgaine with dishonour.

The Doctor uses a dog whistle to summon Warmsly’s dog (recalling that the whistle would have once summoned K9). The Brigadier has never been allowed to use Bessie’s ‘superdrive facility’ before now. He recognises the Doctor’s term ‘interstitial’ from his encounter with ‘The Master with a Greek accent’ (the Doctor jokes ‘You should hear his French One!’, references to The Time Monster and The King’s Demons). Bambera is disappointed to discover ‘armour-piercing’ bullets have no effect on Mordred’s army, which is why she goes into battle with a sword. 

The Destroyer arrives in a different form to how we see it on telly:

Out of the great shadow stepped a figure. A man of aristocratic bearing, impeccably attired in a twentieth-century business suit. He was handsome; so handsome, he was almost ugly. Every beautiful feature on his face was slightly exaggerated, like a near-perfect mask, to conceal something very terrible beneath. His skin had a metallic blue sheen. He moved with a casual, predatory grace and was over seven feet tall. Behind him, the horned shadow traced his every movement.

The Destroyer’s appearance changes slowly as its power builds; small bumps appear at its temples and Ace sees a ‘reptilian eye’ beneath its mask. Finally released from Morgaine’s control, it grows to a monstrous size:

Its shape altered and grew. The tailored suit split as great thorns spiked out across its body like the armour of all Hell’s legions. Its head lost all human features; its skin hardened into scales of metallic blue; its goat horns twisted and blackened in thick murderous spires. As it rose up, its eyes narrowed and darkened into green pits of burning evil.

It finishes up so large that the Brigadier is dwarfed by its hooves.

At the missile camp, Bambera shouts for Zbrigniev to bring her coffee and discovers he has been killed, just as Mordred captures her. Ancelyn finds two more UNIT soldiers slain on his return to the camp. His battle with Mordred is brought to an end by Bambera knocking Mordred unconscious with a rifle butt. 

The Doctor taunts Morgaine by looping his umbrella over the blade of Excalibur. The material of the umbrella is shredded but by story end he fetches himself a new one (he also replaces his hat at one point). It will now be down to the Earth authorities to negotiate with Ancelyn’s world to decide the fate of Morgaine and Mordred. Back home, Doris asks the Doctor for help in arranging a reunion of old friends for Alistair; the Doctor suggests they meet at Christmas to give him time to collect everybody. Ace finds a bag of crusty jelly babies in Bessie’s glove compartment. Ancelyn presents Bambera with a crystal ring ‘inlaid with twining silver leaves, emblem of the House of Garde-Joyeuse’. The story concludes with the Brigadier telling the Doctor that he’s been offered a new job that he can’t turn down.

Cover: Alister Pearson combines the Brigadier, Morgaine, the Doctor and the Destroyer with deceptive simplicity. With this cover, he also steals a title from Andrew Skilleter as he becomes the only cover artist to provide the artwork for two complete seasons of stories. Including art for a reissue of Time and the Rani, he also painted artwork for every single Seventh Doctor story. A 2016 rerelease of Battlefield had cover art by Chris Achilleos that tried to mimic the style of his own 70s classics. A disappointing composition, it featured a fair likeness of Sylvester McCoy as the Doctor, plus Morgaine, Excalibur and a strange, side-on pose for the Destroyer. The audiobook invited Alister Pearson back to create a revised version of his original art with new portraits of the principal elements.

Final Analysis: Full disclosure, I’ve never been a fan of Arthurian mythology, even less a fan of Arthurian science fiction. That this managed to keep my interest from beginning to end is a real credit to Marc Platt’s skill as a writer. It’s impossible to know how close this novel is to how Ben Aaronovich might have approached it, as Ben abandoned work on his version and handed everything over to Marc Platt. What we have though is a novel that immerses us in the legend and explains the backstory while drawing us towards the final confrontation in a war that has lasted for thousands of years. And the book makes it much clearer that none of this is actually what the story is about. 

Once again, this is a beautifully executed adaptation, from the introduction to the Old King and his war with Morgaine to the quieter moments where the supporting characters get time to reflect on the various life-changing revelations they’ve been forced to accept: Warmsly is overwhelmed by the discovery that the mythology that he has spent his life researching is real, teary-eyed while saying to Ancelyn ‘I keep thinking you’re true, young man. I think I’d like that. It’s better than reality, isn’t it?’ The same for the Rawlinsons, having to deal with the inexplicable return of Elizabeth’s sight:

Pat squeezed Elizabeth’s hand. He was looking the other way. She had seen something he had missed. Now she had her own secrets again, not just what she was told.

It was too much to take in. She closed her eyes.

As we might often hope for a novelisation, this is far and away the best version of Battlefield. But the sword-and-sorcery aspect is just a distraction from where Platt really wants to go. Confronted with the possibility that a future Doctor is playing the role of Merlin, our current Doctor is reluctant to accept the evidence that at some future point, his own time as the Doctor will end. To build on the inevitability, Part 4, Chapter 1 is told partly from Mordred’s point of view, where his adversary is very clearly ‘Merlin’. Coming in between this incarnation’s last regular TV appearance and his consignment to the pages of the New Adventures novels (the first of which was published the month before this volume), it’s all rather poignant – and nicely foreshadows a later Doctor’s reluctance to let go. There are other changes coming behind the scenes; although there are some novelisations still to come, this is the last televised story to be novelised under WH Allen’s Target banner.

… but it’s not the last entry for this blog. We still have a few more to come, including a couple of surprises! 

Chapter 151. Doctor Who – The Curse of Fenric (1990)

Synopsis: A World War II military base in North Yorkshire becomes the site for a battle between good and evil. All the pieces have come together: A British officer obsessed with Nazi memorabilia; his chief adviser, the creator of a powerful code-breaking machine; a squad of Soviet soldiers led by a captain driven by destiny; a bereaved young mother, left with a baby; a race of vampiric mutants from the future; and an ancient evil waiting for the arrival of a Time Lord… and his young friend, Ace. Now, the game can begin again…

Chapter Titles

  • Prologue: Dusk
  • Chronicle I: Betrayal
  • Document I: The Wolf-time
  • Chronicle II: Dangerous Undercurrents
  • Document II: The Curse of the Flask
  • Chronicle III: Weapons within Weapons, Death within
  • Death
  • Document III: A Victorian Storyteller
  • Chronicle IV: Vampire City!
  • Document IV: The First Contest of Fenric
  • Chronicle V: Wind and Water, Earth and Fire
  • Epilogue: Dawn

Background: Ian Briggs adapts his own scripts from the 1989 serial, delivering the longest novelisation since Fury from the Deep.

Notes: The author bares the method in a prologue where he dwells on how to start the story. An unidentified woman stands on the beach signalling the Soviet submarine (we find out later who that might be). Sorin is a captain in the Red Army’s Special Missions Brigade and his mission is called ‘Operation Sea-Wolf’ (an echo of the story’s working title, The Wolves of Fenric). When the Soviet commandos reach the beach, it’s Trofimov who acts as look-out; he sees the evacuees and is reminded of his wife, Irene, who he sees dead in a vision. Sorin believes another young soldier, Petrossian, has special gifts that alert him to sounds and danger before everybody else.  

On arriving at the camp, the Doctor berates young Perkins: ‘What would happen if the Germans attacked now? We’d have to write to your mother and tell her you died in filthy boots!’ The Doctor’s forged authorisation documents from the War Office give his name as ‘Dr-‘ but the second name is smudged, while ‘Ace’ is listed as the code-name of his assistant. One of the evacuees, Jean, has cool blue eyes and blonde, tightly wound hair, while Phyllis has ‘a round, smiling face’, and her eyes are ‘a rich chestnut brown’. Ace complains that the Doctor doesn’t pay any attention to her because she’s ‘only the waitress’ (as opposed to ‘a mere mortal’ on TV). Ace goes rock climbing with the evacuees (using ropes instead of the usual ladder) and tells them she ‘gave up’ smoking after her Mum found out. Kathleen is initially nervous when the Doctor and Ace discover her baby. She tries to explain, but the Doctor reassures her: ‘Just as long as you can promise me she’s isn’t a German spy, sent to discover the secret of British nappies.’ 

The chapters are punctuated by four supporting documents, the first of which is an essay about the Viking gods, written by Millington when he was a schoolboy. A teacher’s comment at the end of the essay reads: 

Very good. An extraordinarily vivid piece of writing for a boy of only 12. It is almost as though young Millington really believes that these myths will come true one day.

The essay represents a lifelong obsession with Norse mythology that Millington carries into adulthood, unaware that this is part of Fenric’s curse. On learning from Judson about the new arrivals from ‘the War Office’, Millington assumes that they must be from Bletchley and orders that they should be killed as ‘the enemy’. He recalls an incident on the rugby pitch more than 20 years earlier:

The cold mud of a rugby pitch. The shouts and calls of adolescent young men as they ran and chased. The expression Millington saw on Judson’s face as Judson smiled across to one of the other players, a tall, blond boy with clear blue eyes and a strong body. The sharp, stabbing jealousy that surged through Millington. The black anger that filled him as he ran towards Judson. The hatred, as he drove his shoulder hard in Judson’s back. The cracking sound – the awful cracking sound – as Judson’s body bent backwards and his spine fractured. The expression in Judson’s face, an expression from hell, as he lay paralysed in the mud.

The second document tells of how a traveller from Sweden called Oslaf obtained the flask. He and his party journeyed from Constantinople, through Transylvania, their voyage blighted by black fog and mysterious deaths, before they reached the Baltic sea and were slain by pirates. The pirate leader, Hemming, seized the flask as part of their spoils, but his band of men experienced sudden and grisly deaths just like those of Oslaf’s party. Abandoning his wife, Hemming captured a beautiful villager called Ingelda, with whom he sired a daughter called Wulf-aga as she had shining eyes like a wolf. As his crew were killed off one by one, Hemming concluded that the flask he stole from Oslaf was to blame; he sent his mistress and their daughter to safety and hid the flask, before he and the last of his men were slain by the black fog.

Wainwright visits the graves of his parents and grandparents in the churchyard. His mother died the day after he was born and her gravestone has the wrong date on it; his father died two years ago. Unlike on TV, Wainwright is a young man in his twenties. Millington reveals to the Doctor and Ace his plan to use chemical weapons to bring the war to an end: ‘A few thousand will die. But hundreds of thousands will be saved.’

The Doctor and Ace speak to an agitated Miss Hardaker about her missing evacuees and they try to persuade her not to involve the Home Guard; as soon as they leave, she calls the Home Guard anyway. The six Home Guard soldiers find the girls on the beach but fail to persuade them to go home. When their patrol strays too close to the Soviet hideout, they are killed by Sorin’s men, as witnessed from the clifftops by Sergeant Leigh (a young soldier of just 20, but already ‘hard as stone’)… and Miss Hardaker, who the young sergeant orders to return home. There, she confronts the girls, blaming them for the deaths of the men. Sorin tries to comfort Trofimov, unaware that, having himself become a father back home recently, his sergeant’s trauma comes from killing men who were someone’s sons. 

The third Document is a letter from Bram Stoker to his wife, detailing a story he heard while visiting the area about Maiden’s Point, a murdered girl and vampires living in the waters nearby. He tells his wife ‘I begin to believe that the seeds of some greater story may lie in this tragic incident.’

Miss Hardaker has her own reason for fearing the wider reputation of Maiden’s Point: When she was just 19, she became pregnant out of wedlock. Though the child died aged just two, Miss Hardaker was shunned by her neighbours and she carried the shame with her throughout her life.

The Doctor calls the monstrous army that emerges from the sea ‘homo haemovorax’ and claims that the salt water in the area is similar to human blood plasma:

Their bodies were horrifying mutations of the humans they had once been. Their skin was slimy and slightly wrinkled, like huge white slugs with legs and arms. Their eyes were swollen and bulbous, closed like a foetus in its uterus. And their mouths had turned into large suckers for draining blood. 

Some of them still had traces of human origins – vestigial ears, or a skeleton that was vaguely humanoid – and these creatures still had scraps of recent human clothing hanging off them. But those that had been waiting for a century or more were now completely changed. Instead of clothing, they had thin strands of glistening filament that hung about their bodies. Among the filaments and linked with them were old metal objects – objects that had either been discarded in the waters down the centuries or taken from the creatures’ victims. Keys, locks, coins, scissor-blades were now welded by an iridescent coral into a kind of chain mail.

The assault on the church is a lot more dramatic than was possible on telly. Ace uses her rock-climbing ropes (rather than the ladder) to scale down the church tower. Haemovores scale down the side of the tower after her and Sorin stakes one of them to death. The Doctor remembers his travelling companions as a testament of faith to repel the haemovore attack: Susan, Ian, Barbara, Vicki and Stephen [sic], Jo and Sarah-Jane. He’s surprised that Ace can hear the sound of his faith and surmises that she is slightly telepathic.

The fourth of the quoted documents is a translation by Sir William Judson, recounting the tale-within-a-tale of a game of chess between another traveller, El-DokTar, and an evil dictator called Aboo-Fenran. After 40 days of stalemate, the traveller challenged the dictator to find a solution that could defeat him. Another 40 days and nights passed and, unable to solve the impasse, Aboo-Fenrir surrendered and was trapped inside a flask. A prince mentioned in this story is said to haved journeyed ‘along the Central Way from the Furthest Island of Dhógs to the White City’, which might hold additional meaning if you consider how a person might travel via the Central Line of the London Underground from East London to BBC Television Centre.

The eyes of the bodies that Fenric possesses glow red, not green. Fenric reveals that Nurse Crane is a Soviet agent reporting to Moscow (suggesting she was the figure signalling from the beach to the Russian submarine). The Ancient One is named Ingiger and its voice is said to be part female. Vershinin and Bates both die from being shot by Millington (they survived on TV); Millington allows himself to be engulfed in flames while holding the body of Judson.

In the epilogue, having departed the TARDIS some time before, ‘Dorothée’ is reunited with the Doctor in 1887, where she reveals she has fallen in love with Sorin’s grandfather.

Cover & Illustration: Against a chessboard background, Alister Pearson brings together a Doctor with a sickly green tinge, a haemovore, Ace in her 1940s costume and various symbols – a logic diagram, some ancient runes, a Soviet red star, a Nazi Swastika and a skull-and-crossbones poison label. Inside, for the first time in years, there’s an illustration – a map, captioned ‘The Journey of the Flask’.

Final Analysis: Back in the mid-1960s, the joke behind the Meddling Monk was that he was the sort of character who would deposit a small sum into a bank and then travel forward in time to collect the interest. In 1979 we had Scaroth, last of the Jagaroth, trying to pull off a similar stunt by influencing history to fund his time travel experiments in the 20th century. It was also the driving force behind this story on TV, an ancient evil manipulating individual family lines to ensure they all converge at one point in space and time. In retelling his adventure as a novel, Ian Briggs creates a multi-faceted tale that slowly pushes all the pieces onto the board and shows how they came to be part of Fenric’s trap. That the backstory is presented as a series of documents allows the reader to decide if any of them might be a reliable source: The Doctor really did trap an ancient evil in a flask because it couldn’t grasp that he was cheating at chess, or the scene is just symbolic of whatever it was that happened; Millington’s childhood obsession with Norse mythology was symptomatic of the curse, or just another facet of his obsessive guilt over the crippling attack on Judson; maybe the flask caused the deaths that followed the parties of Oslaf and Hemming, or perhaps they just lived in bloody times; and maybe Bram Stoker was driven by the legends that fuel this story to write one of his own, rather than Ian Briggs taking his inspiration from Stoker…

In the entire history of the Target books, few could be described as being sexually charged. Companions arrive and depart with dispassionate regularity and even the ones tempted by a promise of romance remain largely chaste. The first hints of sexual desires introduced by Ben Aaronovich in Remembrance of the Daleks are continued here. The subtlety of a bay called ‘Maiden’s Point’ is underlined when Ace appears to admit to her new evacuee friends that, like them, she’s not a virgin (even if it’s just a case of teenage bragging to fit in), but then there’s the revelation that Miss Hardaker also has a secret past. The undercurrents that engulf Ace at the end are said to represent ‘laughter, lechery and animal passion. A whorehouse of enjoyment’. Despite this, Ace’s seduction of young Sergeant Leigh is about as awkward as it was on TV and, frankly, the resolution is unpleasant:

‘Too hot,’ murmured Ace. ‘Clothes sticking to me, sticking to my skin, hot, damp…’

‘If they’re too sticky, you know what to do.’

… his cries of ‘You promised’ suggest he feels led on, more than just led away.

There’s also a subtext of sexual tension from Millington towards Judson, who he clearly found compelling when they were schoolboys; as an adult, Millington has no love for women, complaining that they even ‘smelled different’, which adds a little to his dismissal of Ace with ‘no girls’!

Sexual subtexts are all part and parcel of the horror genre, and while this remains teen-friendly, it’s clearly aimed at an older audience than, say, Doctor Who and the Brain of Morbius. Infamously, the disintegration of the Haemovore Jean and Phyllis was shown on children’s TV in a behind-the-scenes feature but cut from the actual broadcast episode. Here, we can enjoy the moment in all its gory glory. The most graphic passage, however, comes during the assault on the church, when Sorin employs a stake to destroy one of the monstrous attackers:

The haemovore gave out a terrible, tortured cry that seemed to tear through the universe. Sorin pushed down on the stake with all his strength, driving it through the haemovore’s body until he felt it hit the slates beneath. The horrible, bloated face of the creature began to twist and change. The skin started to wrinkle and pull back on to the bones as though the creature were growing older by a hundred years every minute. The fleshy lips turned thin and dry and began to crack; the haemovore’s whole skeleton began to show through the thin membrane. Then the skin started to smoke and peel away. The creature’s cry slowly died away as all its flesh disappeared in smoke. Soon, all that was left was a smoking skeleton lying in a pool of slime and a charred wooden stake planted between two ribs.

As I noted just a few chapters ago, Remembrance of the Daleks is often cited by fans as the moment of conception for the New Adventures, but this story informs the tone of that range just as much. It’s a story as much about the companion as the villain, where sex and sexuality are acknowledged as something that actually exists and where the Doctor is manipulating people and events like a Grand Master chessplayer.

Chapter 150. Doctor Who – Survival (1990)

Synopsis: The Doctor brings Ace home to her own time and place. But the time is Sunday and the place is Perivale, the most boring place ever. Most of Ace’s friends have disappeared and the youth club has been taken over by a fanatical army type with a sadistic streak. On a distant planet, the Master waits for the Doctor’s arrival – only with the help of his oldest enemy can he hope to escape a world that is slowly turning him into a ferocious animal…

Chapter Titles

Numbered One to Eight, with a postscript.

Background: Rona Munro adapts her own scripts from the 1989 serial.

Notes: The man who’s abducted while washing his car is called Dave Aitken. His elderly neighbour who shoos away the cats is Mrs Bates. Ace and her gang used to listen to the music of ‘Guns and Roses’ [sic] and ‘Spondy Gee’. There’s a crack on the youth club door that was the result of a fight between Ace and Midge. They all used to hang around outside the local pub hoping they could persuade older kids to buy ‘cans’ for them. The Doctor puts a gold star-shaped coin from Psion B into Ange’s collection tin. Paterson is a police officer, not a sergeant in the territorial army as on TV (hence why he knows Ace was let off with a ‘warning’). After the sergeant criticises her for never phoning home, Ace recalls the events in 1945 that led to her meeting her mother as a baby. Still confused by the conflicting emotions the relationship with he rparents provokes, she feels distressed that the Doctor appears to be ignoring her in favour of his tins of cat food. This prompts her to walk off alone to gather her thoughts – watched by a kitling.

The kitlings (‘feline vultures’) can teleport from planet to planet in search of carrion and have been to Earth many times. They can ‘smell blood even across the vacuum of space’ – and the Cheetah People follow them in search of sport. Midge has posters for heavy metal bands in his room (on TV, he has a U2 album). 

Returning home in the early hours of Monday morning, Midge goes to the shop run by Len and Harvey and demands money. The Master releases a kitling in the shop, which transports the shopkeepers away. Midge kills both Paterson and Derek. After Karra is killed, Ace sees Shreela and tells her she won’t be staying in Perivale. Shreela helps her obtain some petrol and Ace lights a pyre for Karra and Midge, before walking off arm in arm with the Doctor (who does not deliver the speech we heard on TV). 

Cover: One of the most inventive covers ever, Alister Pearson paints a vista of the Cheetah people’s planet with portraits of a concerned Doctor, a possessed Ace and the Master’s black cat minion. The canvas has been slashed with four claw marks. An early pencil draft of this design also showed the Master’s face emerging from the cat’s torso, but this was dropped for the final painting.

Final Analysis: Another cracking novel, it’s largely what we saw on TV but with added violence and a generally more adult tone; as with Ghost Light, it’s beautifully written and visceral. The scene with Ange raising money for hunt saboteurs is enhanced by a shop window containing a dummy wearing a fur coat:

The Doctor pressed closer to the glass. Yellow fur, spotted fur, hung limp and soft on the dummy like the dead thing it was. There was no hint of the long muscles that had animated it, the bone, sinew, heart and lungs of the animal that had worn it as its own skin as it streaked across the dusty yellow savannah, the fastest creature on earth. There was only the barest reminder of the coat’s original owner, the animal that now reminded the Doctor so forcibly of the connection he had been looking for.

With just a couple of novels remaining, the Seventh Doctor era is shaping up to be the most consistent of the Target collection. At the back of this book, in a postscript, range editor Peter Darvill-Evans marked the fact that it appeared unlikely that Doctor Who was returning to our screens any time soon. He also revealed that as well as some remaining novelisations, plans were already underway to start publishing original novels – the continuing adventures of the Doctor and Ace.

Chapter 149. Doctor Who – Ghost Light (1990)

Synopsis: When the Doctor sets an initiative test, Ace is initially suspicious and then alarmed to discover it involves a spooky old house. It contains a menagerie of strange creatures, a crazed explorer, a lost policeman and a ruthlessly ambitious man who appears to be evolving into… what? Worst of all, the house is in Perivale – the exact same one that emotionally scarred Ace all those years ago…

Chapter Titles

  • 1 Tropic of Perivale
  • 2 Gabriel Chase
  • 3 Uncharted Territory
  • 4 Gaslight Boogie
  • 5 Josiah’s Web
  • 6 That’s the Way to the Zoo
  • 7 Ace’s Adventures Underground
  • 8 Creature Comforts
  • 9 Out of Control
  • 10 Twice upon a Time
  • 11 Trick of the Light
  • 12 Beautiful Soup

Background: Marc Platt adapts his own scripts from the 1989 serial.

Notes: The first chapter presents Ace’s first steps into the derelict Gabriel Chase in 1983 when she was 13 (about a year earlier than Remembrance of the Daleks suggests, although here, Ace herself says she was 14). The house is near Western Avenue (also known as the A40, which becomes The Westway, where it passes within sight of BBC Television Centre, fact fans!) Ace’s friend’s full name was Manisha Purkayastha and her sister also survived the devastating fire. Ace was a fan of Michael Jackson when she was younger and her mum called her ‘Dory’. Back in Ace’s present day, aboard the TARDIS, she is now 17 years old. The Doctor is struggling to get accurate data from the TARDIS – and there’s an elegant description of his relationship with friends past and present:

Anyone who travelled in the TARDIS had a price to pay. However willingly any new companion walked through its doors, leaving their own world behind, and however determinedly they tried to assert control over the bizarre events in which the Doctor’s travels might embroil them, one fact was inescapable: throughout time and space their lives were in the Time Lord’s hands. Even the slickest of jugglers, however, could drop a skittle at one time or another.

…. Call him showman, conjuror, great detective, mentor or tormentor, his speciality was to juggle the past, the present and the possible. No one was safe from that; anyone could be a potential skittle. 

The Doctor rarely bothered with a safety net either; he never considered he needed one. But he didn’t always ask the skittles.

The Reverend Ernest Matthews makes his final approach to Gabriel Chase via a dog-cart that he’s hired from Ealing Station. He is Dean of Mortarhouse College, Oxford (not Merton College as on TV). He has learned that Josiah Samuel Smith has endorsed the theories of Charles Darwin and Alfred Wallace in papers written with ‘scant grasp of literary or scientific style, or even the basic rules of grammar’. While this is his primary concern, he is also worried about Smith’s ward, Gwendoline, after seeing them together at the Royal Opera House in London. As he approaches the front door of the house, he hears ‘the distant grating and wheezing of some large mechanical device’ and sees a flashing light in the observatory turret.

The Doctor heavily implies to Ace that he met Darwin during his voyage on the Beagle. He believes they should follow proper etiquette and leave the house so that they can knock on the front door and be invited in. According to Redvers Fenn-Cooper’s journal, the events take place across the nights of 19-20 September, 1883 – although as at least one entry for this was ‘written’ while he was in a strait-jacket, we might assume the journal itself is a delusion. 

The weary, weather-beaten face that returned his stare belonged to a man apparently in his late thirties. He had a haggard look to him. His thick, fair hair was greying and ruffled and his jacket looked slept in. Along with his bushy moustache, he had several days growth of stubble and accompanying bags under his eyes. Even so, Ace decided there was something dashing about him, despite the spear and being at least twice her age.

Smith insists that the occupant of the cell in the basement is supplied with a copy of The Times every day as a form of mockery, aware that his prisoner cannot read and will use it to build a nest. The Doctor plays some boogie-woogie on the piano, but sensing the outrage from the Rev Matthews, he switches to Beethoven’s Moonlight Sonata, which is interrupted by the arrival of Josiah, our first indication that it is not what it seems:

Its hair was white and long; its skin pale and leech-like. It wore a night-blue, velvet dinner-jacket and black, pebble-lensed spectacles that looked like tiny craters on its wizened, wicked face. As it groped its way into the halflight, grasping at the back of a chair for support, the Doctor saw that the creature’s clothes were covered in strands of cobwebs.

Prompted by Ace’s tuxedo, the Doctor asks if he ever took her to see Georges Sand or Vesta Tilley. He pretends to be appalled by Josiah’s offer of Five thousand pounds, as ‘a gentleman only ever pays in guineas!’ Ace uses the lift in the hope of returning to the attic floor of the house, but Mrs Pritchard has set the lift to go to the basement to delay the prisoner’s escape and remove the problem of Ace in one go. The tunnel leading to the basement chamber is covered in cave paintings. 

Control is able to manipulate the empty husks of Josiah and Ace sees the creature inside the cell – a ‘half-lit shape covered in filthy rags’ – before Nimrod slams and bolts the door. Lady Pritchard’s first name is ‘Margaret’. Distressed at the sight of Control in her rags, Mrs Grose tells the Doctor she’ll be seeking employment elsewhere; the Doctor asks her to pass on his regards to ‘Peter Quint’ (the sinister but absent figure in Henry James’ The Turning of the Screw, which also features a domestic called Mrs Grose). Inspector Mackenzie witnesses ‘Lady Pritchard’, still dressed as a housekeeper, arranging the packing of a number of items away in trunks for despatch to the ‘lodgings in Whitmore Street’. Ace gives Control a book on etiquette, which she touches to her head and absorbs. Light tours the Earth to discover the total scale of evolution across the planet, where only the most basic bacteria in swamps remain unchanged.

Cover: Alister Pearson’s best cover ever, evoking the ‘window’ concepts used by Jeff Cummins, combining Gabriel Chase at night, Ace in her Victorian frock and the Doctor in close-up.  Underneath the house are some symbols, which include the artist’s initials alongside those of then-Doctor Who Magazine reviewer Gary Russell.

Final Analysis: I just had to pull out this line:

‘Professor! What’s going on?’ She almost felt like crying she was so confused.

As with Ben Aaronovich’s Remembrance of the Daleks, Ghost Light benefits immensely from being transferred to the page. The dialogue is easier to understand for one thing and the reader has time to work out the intent behind most of Control’s slowly improving grasp of English. The shifting relationship between Control and Josiah – previously the Survey Agent – is spelled out just a little more as Light begins to understand the change that has come over his former servants. 

One of the greatest disappointments of the final years of Doctor Who on TV is that Marc Platt only got one chance to write a story (he’s made up for it since with his novelisation of Ben Aaronovitch’s Battlefield, the novel Lungbarrow and some hugely popular audios for Big Finish). I’ve both praised and critiqued Terrance Dicks’ economical approach, and been dismissive of some of the more overwrought texts submitted to the range by first-time authors, but it’s genuinely surprising that this is Marc Platt’s debut novel – and the writing is exquisite. Here’s his introduction to Light:

Robed in liquid gold and silver, with skin shimmering, it had the noble and terrible beauty of a seraph, fallen to Earth from its place beside the Throne. It glided from the lift, energy humming from it like a generator and droning fiercely at any mortal it passed.

Slowly, the fans who grew up watching the series and reading the books are taking over and it’s rather exciting at this late stage to find a book where the writing excited me as much as David Whittaker’s did in Doctor Who and the Crusaders, published 25 years before.