Chapter 77. Doctor Who – Four to Doomsday (1983)

Synopsis: The TARDIS lands on a huge spaceship heading towards Earth. The inhabitants appear to come from different periods in Earth’s history, providing entertainment for three amphibious Urbankans called Enlightenment, Persuasion and the imperious Monarch. Given the freedom to explore the ship, the Doctor and his friends begin to understand the terrifying scale of Monarch’s ambitions…

Chapter Titles

  • 1. Ship of Mystery
  • 2. A Meeting with Monarch
  • 3. The Transformation
  • 4. The Invaders
  • 5. The Explorers
  • 6. The Android
  • 7. The Convert
  • 8. Tegan’s Gamble
  • 9. Death Warrant
  • 10. Reprieved
  • 11. Riot!
  • 12. Spacewalk

Background: Terrance Dicks adapts Terence Dudley’s scripts for the 1982 serial. When Dicks said that scriptwriters cottoned on that they could write the books and get all the money, I suspect this is who he was specifically referring to – see The King’s Demons. This followed Castrovalva on TV, so that’s another pair of stories to be released consecutively.

Notes: Terrance gets his first go at this TARDIS crew, so we get decent descriptions of them all: Nyssa is ‘an attractive-looking girl with brown hair and an aristocratic, somewhat haughty air’; once again, Adric is ‘a smallish, round-faced youth wearing a yellow tunic’; the Doctor’s ‘third, least willing companion [is] an ‘Australian air-hostess called Tegan Jovanka’ who is said to be ‘exceptionally forceful, even for an Australian’; and the new Doctor, who we’re told is now in his fifth incarnation, is a ‘rather slight, fair-haired young man with a pleasant, open face’ (entirely coincidentally a cricket pun there – Dicks had no idea  it was a term for how a cricketer grips the bat!). Each of the companions gets a one-line origin summary.

Observing a device that can reduce matter, Nyssa recalls that it’s a favoured method of the Master and was the way he murdered Tegan’s aunt. As the Doctor tells Monarch that only he can operate the TARDIS, it dematerialises under Tegan’s control, rather undermining his boast. Nyssa’s fainting cliffhanger that leads into the next story is omitted. 

Cover: An almost competent photo montage of Stratford Johns as Monarch with Peter Davison as the Doctor. Alister Pearson’s 1991 cover is just a noble portrait of Monarch with a suggestion of his chamber lightly etched into the background. 

Final Analysis: By this point in time, TARDIS companions exist solely to bicker and Terrance Dicks relishes the opportunity to show the previously impish Adric as an utter brat. Tegan’s brashness is accentuated too, which rather underlines how empty and bland Nyssa is. We’re even told that she manages to save the Doctor from execution because she’s ‘ standing unnoticed in the background, ignored because nobody considered her a threat’. Four to Doomsday is unlikely to be anyone’s favourite story, or indeed anyone’s favourite book; it does the job, nothing more.

Chapter 76. Doctor Who – Castrovalva (1983)

Synopsis: The Doctor is struggling after a particularly distressing regeneration. He seeks rest deep within the TARDIS, but an external force sends the time machine racing towards the Big Bang. A narrow escape brings the travellers to the quiet town of Castrovalva. The locals are friendly and offer the Doctor room to recuperate. But there’s something strange about the town; how can the local chemist be in four places at once? Who is exploiting the Doctor’s weakened state and for what purpose? And where is Adric?

Chapter Titles

  • 1. Escape from Earth
  • 2. Towards Zero
  • 3. Destination: Event One
  • 4. Russian Roulette
  • 5.. Jettisoned
  • 6. The Quest for Castrovalva
  • 7. Within the Walls
  • 8. The Dark Reflection
  • 9. The Occlusion Closes In
  • 10. The Clue of the Chronicle
  • 11. The World through the Eyes of Shardovan
  • 12. The Web is Broken

Background: Christopher H.Bidmead adapts his own scripts for the 1982 serial.

Notes: We’re told that the ‘apocalyptic events’ of Logopilis led to the previous and future Doctors overlapping in the form of the Watcher. We’re drawn to consider the new Doctor’s ‘strangely smooth and vacant face’, while  Adric has a ‘strange smile and wicked black button eyes’ and Nyssa possesses ‘a remote, aristocratic quality that was somehow unEarthly’. Based on the scant hours he’s spent there, Adric considers Earth to be a ‘planet of fools and bullies’. We’re reminded of Adric’s former home on the starliner on Alzarius. Tegan is said to have ‘once been lost in that maze of white corridors during her involuntary first trip in the TARDIS’… which took place… yesterday? She also utters the mild expletive ‘strewth’ a couple of times.

Nyssa tries to explain recursion to Tegan by discussing family trees (and Tegan feels awkward as she realises Nyssa’s family and everyone she knows has been wiped out by the Master). The Doctor’s new coat is ‘a cream coloured garment that was too summery to be a morning coat but too long to be a sports jacket’. As Tegan and Nyssa look at the scanner to see the Master waving at them, they can see Adric behind him, trapped in the electronic web. The TARDIS has a surgery and a trolley laden with medical supplies rolls out of it towards the Doctor during the Event One incident.

Apparently, ‘the Gallifreyan temperament tends to see the world from the other person’s point of view’, so the Doctor feels empathy for a roast pig. There’s also an ‘official Time-Lord strategy’ that’s taught to small children that… :

… in circumstances of near-defeat you take stock of the forces that are working on your behalf, your assets, and then separately assess the forces working against you, your liabilities. This leads directly to the next stage: devising a logical plan that will increase the former and diminish the latter. 

The Doctor views this ‘arid, abstract and artificial’ edict as ‘typically Gallifreyan’ – he prefers ‘blind panic’. He is said to be ‘nearly eight hundred’ years old, while Castrovalva was created by the Master as a trap 500 years ago. So was this created in the Master’s distant past and he’s only just come back to it? Did he set it up and then jump forward 500 years? Did he play at Portreeve for half a millennium while Adric was held in stasis in the electronic web?! (Or is this just not actually true and he knocked it up yesterday in between wrestling with the Doctor on a gantry and choosing a nice hat for his Portreeve cosplay?). On the jog back to the TARDIS, Adric is ‘still a little pallid after his long ordeal’ – a real-world cheeky dig at actor Matthew Waterhouse’s overindulgence in the bar the night before the filming of that sequence for TV. The Doctor opts not to dampen Tegan’s enthusiasm by telling her she didn’t land the TARDIS after all and it was all Adric’s doing.

Cover: Somebody clearly resents being made to work on these as the cover design is woefully lazy – a photo of a smiling Peter Davison against a starfield backdrop. Alister Pearson’s reprint cover from 1991 is predictably better, to be fair, with an almost identical picture of Davison (which makes him look old) next to a beautifully realised, geometrically impossible walkway from the Castrovalva town square.

Final Analysis: ‘Euclidian topology’? Really, Bidmead? We’ve come a long way since the days of writing these books for eager seven-year-olds, but there really is no concession for the child reader here. It all fits together rather neatly, especially the way so much of the dialogue is there to underline the theme of recursion, but as with Logopolis, there’s also the suspicion that the author’s making himself a little too visible in the text by showing off.

Chapter 75. Doctor Who – Meglos (1983)

Synopsis: Caught in a time trap, the Doctor, Romana and K9 have to find the key to break out of a repeating cycle of actions. When they eventually reach their destination, the jungle planet Tigella, the Doctor is immediately accused of stealing the Dodecahedron, the source of the Tigellans’ power and a holy relic to the religious Deons. It seems there’s a doppelganger on the loose and the Doctor must pay for the crimes of Meglos – the last Zolpha Thuran.

Chapter Titles

  • 1. Abduction of an Earthling
  • 2. The Deons
  • 3. The Screens of Zolfa-Thura
  • 4. Time Loop
  • 5. The Double
  • 6. The Impossible
  • 7. Prisoner of the Gaztaks
  • 8. The Attack
  • 9. The Sacrifice
  • 10. The Reprieve
  • 11. The Ultimate Weapon
  • 12. Final Countdown

Background: Terrance Dicks adapts scripts for the 1980 serial by John Flanagan and Andrew McCulloch. This release completes the stories in Target’s library for Season 18, also making it the shortest gap between first and last stories to be novelised in a season (ten books). Furthermore, that’s the last novelisation of a Fourth Doctor TV story we’ll see this century.

Notes: The first chapter takes a disturbing turn as it speculates that the results of numerous gangland killings have been buried underneath various newly built motorways. It also introduces ‘the Earthling’, who’s named George Morris; a predictable, mild-mannered assistant bank manager of a country branch who finds himself kidnapped by a band of aliens. For (almost) the final time [see The Five Doctors], Terrance Dicks gives us a lovely little description of this Doctor:

At this time in his lives, he was a very tall man with wide staring eyes and a mop of curly hair. Much of the time he wore a long elegant coat, something between overcoat and smoking jacket, made of some reddish, velvety material and cut in a vaguely Edwardian style.

Romana is ‘a fair-haired, classically good-looking young woman with an impressively high forehead and an air of aristocratic hauteur’. At the start, K9 is still out of action after his ‘rash dip in the sea’ in The Leisure Hive.

Oops! Terrance Dicks describes the dodecahedron as ‘five-sided’ (the clue’s in the name) so that it correlates with the five screens of Zolpha Thura – each face has five edges, which isn’t the same thing. Zolpha Thurans were ‘scientists of a particularly brilliant kind’ who developed the ability to take control of other beings and disguise their own vegetable forms and explore the universe. For once, the Doctor is able to steer the TARDIS successfully, so George Morris makes it home on time and decides not to tell his wife what happened. As she started hitting the sherry 20 minutes before he stepped through the door, this is probably a good idea.

Cover: Andrew Skilleter gives us another very straightforward but moody composition of Bill Fraser as General Grugger and Tom Baker as a thorny Meglos; it’s rather beautiful in its simplicity. There have been a few close calls with Chris Achilleos, but Andrew Skilleter here grabs a record as the first artist to provide a first-edition cover for every story in a single season. Alister Pearson’s cover for the 1993 reprint is a much brighter affair, with Meglos and the Doctor hovering above the Dodecahedron.

Final Analysis: So farewell then, Fourth Doctor, as we reach the end of your Target library [but see book 153]. Terrance makes a few adjustments and explains the bigger gulfs in logic to make this a rather jolly adventure; even the threat of being crushed under huge rocks seems rather mild. It successfully maintains the feeling of mild jeopardy where the main threat comes not from the malignant cactus but the blind obedience to dogma and plain stupidity. Dicks’ depiction of Brotodac as almost childlike is a particular highlight, though sadly he omits the scene where Grugger gives K9 a savage kick.

Chapter 74. Doctor Who – Time Flight (1983)

Synopsis: A supersonic aeroplane has disappeared. Retracing its last known flight path aboard another Concorde, the Doctor, Nyssa and Tegan are as surprised as the crew when they touch down on a prehistoric plateau. Nearby is a huge temple, the home to a strange wizard called Kalid, who seems amused by the time travellers’ plight…

Chapter Titles

  • 1. Flight to Infinity
  • 2. An Unauthorised Police Box
  • 3. The Doctor Goes Supersonic
  • 4. The Coming of the Plasmatons
  • 5. The Magic of Kalid
  • 6. The Doctor and the Magician
  • 7. The Enemy Unmasked
  • 8. The Power in the Sanctum
  • 9. On a Wing and a Prayer
  • 10. In Transit

Background: Peter Grimwade adapts his own scripts for the 1982 serial.

Notes: The first TARDIS scene is, if anything, even briefer than the one on screen, although in the aftermath of Adric’s death, the companions at least acknowledge that the Doctor might be grieving too, in his own way – and they also realise they didn’t know the boy all that well at all. Does the Doctor’s mention of Adric’s brother Varsh come as news to them? Tegan identifies their landing site as ‘London Airport’ (so assumes they’ve arrived in 1966?). Kalid has a ‘thin, strangulated voice’ and a:

… yellow oriental face, bloated like the body of a drowned dog and gangrenous with age and excess, with broken teeth and rotting gums that contorted his mouth into a permanent leer. His height too, for a Chinaman – if that was his race – was remarkable, and his girth, concealed by a bright coat of damask, as monstrous as the force he invoked.

When he emerges from Kalid’s body like ‘a pupating beetle’, the Master is introduced without any further explanation or description (as is the Tissue Compression Eliminator, which makes its debut in the books here!). I’m beginning to suspect this is perhaps a new house style. Having stolen the Doctor’s TARDIS, the Master is indignant that it’s typical of the Doctor to ‘travel in a machine that was unserviced, unsafe, and light years out of date!’ As she helps to change the wheels of Concord, Tegan remembers the wheels on her Aunt Vanessa’s car.

Cover: A drab photo of Peter Davison next to a Concorde.

Final Analysis: Another original author steals food from Terrance Dicks’ plate.The opening chapter suggests that Grimwade is keen to show off all of the extra research into Concord that remained unused from his TV scripts and he has a fondness for bizarre similes that somehow work, such as ‘The Professor’s lips moved silently like an elderly goldfish that has just been fed’. I look forward to reading something from the author that’s based on something a little more substantial.

Chapter 73. Doctor Who and the Sunmakers (1982)

Synopsis: The planet Pluto has been colonised and made habitable by the addition of artificial suns. But life for the citizens is hard with astronomically high taxes that keep everyone in constant debt to the Company. When the Doctor, Leela and K9 arrive in the city Megropolis One, they quickly fall in with a band of inept rebels. Soon, they come up against the Gatherer, who controls the city’s finances, and the head of the Company, the slimy Collector.

Chapter Titles

  • 1. The Cost of the Golden Death
  • 2. The Fugitive
  • 3. The Others
  • 4. The Collector
  • 5. The Reprieve
  • 6. The Trap
  • 7. The Rebels
  • 8. The Prisoner
  • 9. The Steaming
  • 10. Revolt
  • 11. The Confrontation
  • 12. Liquidation

Background: Terrance Dicks adapts scripts for Robert Holmes’ 1977 serial The Sun Makers (slight change of title there), completing the run of Season 15 stories for Target. This is also Leela’s final adventure to be novelised and they’ve all been written by Terrance!

Notes: Leela is unsettled when she discovers three people awaiting erasure on their ‘death day’; Condo tells her it’s called ‘business economy’ and Leela says ‘I call it murder’. When Mandrel threatens him with a poker, the Doctor responds: 

‘You’re really not very good at this sort of thing, are you Mandrel? I don’t think you’re really nasty enough at heart. I can see it in the eyes – no conviction.’

Although they’re named in the TV episodes, Terrance makes sure we pick up on the names of two technicians – ‘Synge and Hakit’ – surely a reference to the popular drag performers ‘Hinge and Bracket’, who were emerging radio stars around the time of the TV broadcasts.  On screen, Hade is thrown from the top of a building with a cheer; here, it’s with shame and disgust:

There was a general feeling things had got out of hand, gone a bit too far. But there wasn’t very much that they could do about it now. From the top of a thousand-metre building, it’s a very long way down.

Cover: The last novelisation to have ‘and the’ in the title. Andrew Skilleter’s cover art is an effective portrait of the Collector. It’s very subtle, but the spotlights behind him represent Pluto’s six suns.

Final Analysis: There’s almost a reworking of The Dalek Invasion of Earth with the opening line: ‘In a drab and featureless corridor, a drab and featureless man stood waiting before a shuttered hatch.’ It’s otherwise a predictably solid adaptation from Terrance, which is becoming a rare thing around this time, though as the above quote about Gatherer Hade’s demise shows, he still has room to add a tinge of dark humour that’s very much in the spirit of his friend Robert Holmes’ original scripts.

Chapter 72. Doctor Who – Logopolis (1982)

Synopsis: A sudden whimsy to reconfigure the TARDIS’s chameleon circuit leads the Doctor to confront a terrifying and certain future. The Master has returned and his new scheme puts the entire universe at risk. Surrounded by companions he didn’t choose and forced to enter a partnership with his oldest enemy, the Doctor has finally reached the end – and it really has been prepared for…

Chapter Titles

The chapters are simply numbered one to twelve. As Neil Corry suggested, Bidmead could have at least done them in binary!

Background: Christopher H. Bidmead adapts his own scripts from the 1981 story. Making good use of his past life as an actor, he also reads the audiobook, making him the first credited author to do so (although Barry Letts read The Daemons, the scripts were co-written and credited to ‘Guy Leopold).

Notes: The police officer killed by the Master is named Donald Seagrave. The police box he investigates is on the Barnet bypass (not specified on screen). Aunt Vanessa lives in ‘a cottage house in a quiet village-like street’ less than 50 miles from the Barnet bypass.  The Doctor recalls that Romana is ‘at the Gateway with Biroc and the Tharils’ (though we’re not told what this actually means for any reader who didn’t yet catch Warriors’ Gate). Adric is said to have a badge for mathematical excellence, but his ‘grasp of physics wasn’t very good’. As he inspects the real police box, he queries the wording on the telephone hatch:

Adric had seen identical wording on the outside of the TARDIS, and had taken it to be some sort of joke of the Doctor’s. Officers and Cars had never, to his knowledge, responded to Urgent Calls, although there were several occasions when he and the Doctor could have used a little extra help.

This is his first time on Earth, so it’s possible that the only encounters Adric has had with ‘officers’ is Proctor Neman on Traken – that pillar of the community who accepted bribes. The Doctor has cause to recall the recent events on Traken and is reassured that Tremas and his daughter are ‘happy’ but begins to worry that the Master might have escaped. Adric refers to the ‘console room’ (the first time this phrase has been used – it doesn’t even appear in the TV version). 

Tegan is ‘barely twenty years old’. When he sees Tegan on the TARDIS scanner, Adric has a feeling he has known her very well; he observes that her face ‘looked rather beautiful, framed by that dark red hair under the severe purple cap that matched her uniform.’ Tegan’s plane ‘back home’ is a Cesna. 

The TARDIS cloisters have a ceiling with an ’emulation of the sky, even as far as the suggestion of clouds’. The Doctor gives Adric a copy of The Complete Poetry of John Milton and the boy observes a similarity between a fallen angel and the Master. The Doctor hovers the TARDIS above Logopolis to give the Logopolitans advance notice of his arrival. As viewed from above, the City of Logopolis looks like ‘a giant brain’. 

The Master’s (unnamed) weapon is silver and leaves a whiff of ozone after discharge. The Doctor falls from the telescope when the cable he’s hanging from snaps. Adric realises the Doctor is ‘regenerating’, as he and Nyssa confirm their suspicions that the Watcher was the Doctor all along. The new Doctor has a ‘smoother, younger face’ and beams ‘somewhat vacuously’ at his friends. We’re presented with his first words::

‘Well, that’s the end of that,’ said a voice they had not heard before. ‘But it’s probably the beginning of something completely different.’ 

Cover: Andrew Skilleter paints a simple composition of the Master in front of the Pharos project. Alister Pearson’s 1991 cover has the Doctor looking tired, Tegan and Nyssa grinning, leaving the Monitor and Adric to look at the shrinking TARDIS.

Final Analysis: The opening paragraph warns us that…

When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before.

Accordingly, Bidmead progresses to foreshadow events: Tegan is about to embark on a journey that ‘she would never forget for the rest of her life’; Adric hears the cloister bell for ‘the first but not the last time’;  … and so on.

As with The Visitation, there’s no introduction for or description of the Doctor or Adric, but there’s a palpable enthusiasm for showing off Bidmead’s knowledge of modern science, such as Maxwell’s Second Law of Thermodynamics and ‘Mr Heisenberg’. The assumption is that the reader already knows who the Doctor and Adric are (which I’ve grumbled about with other writers), but we at least get a clear idea of the new arrival, Tegan. The best bit is the conclusion of Chapter 5:

Tegan’s voice exploded like a shrapnel-bomb in the quiet of the console room. ‘I demand to see whoever is in charge of this ship.

Chapter 71. Doctor Who – Full Circle (1982)

Synopsis: The TARDIS falls into another universe – Espace – and lands on Alzarius, a planet with the exact same coordinates as Gallifrey, except in negative. They meet a young boy called Adric and discover a small and terrified community housed in an ancient spaceship. The people of Alzarius are preparing for a cataclysmic event called ‘Mistfall’ when the air becomes unbreathable and strange creatures emerge from the marshes. The marsh creatures lead the Doctor to uncover a secret that has been hidden for generations.

Chapter Titles

  • Prologue
  • 1. ‘I Have Lost Control of the TARDIS’
  • 2. ‘I’m an Elite’
  • 3. ‘Master – Alert’
  • 4. ‘We’re Taking Over Your Ship’
  • 5. ‘We Don’t Know What’s Out There’
  • 6. ‘You Will Answer the Questions, Doctor’
  • 7. ‘A Little Patience Goes a Long Way’
  • 8. ‘I Am Beginning Surgery’
  • 9. ‘One Secret Our Ancestors Kept for Themselves’
  • 10. ‘We’ve Come Full Circle’
  • 11. ‘We Cannot Return to Teradon’
  • 12. ‘We’re Trapped’

Background: Andrew Smith adapts his own scripts from the 1980 story. At just 20 years old at the time, Andrew remains the youngest author of a Target novel.

Notes: A prologue tells of the arrival to Alzarius of the original inhabitants of the Terradon starliner, the demise of Commander Yakob Lorenzil and the hostile environment that greets the survivors of the crash, led by Sub-Commander Damyen Fenrik. This might feel like a spoiler until the exact moment that we realise it’s a clever deception. There’s an interlude with the full verses of a poem by First Decider Yanek Pitrus, a ‘tenth generation starliner’, setting out the legends of mistfall. 

First Decider Exmon Draith is accompanied by Decider Ragen Nefred and Decider Jaynis Garif. After Draith dies, Halrin Login is elevated to Decider level. As he takes on the role of First Decider, Nefred connects his brain to the System Files, which monitor the well-being of all Deciders; this is how Nefred confirms that Draith has died, as well as becoming exposed to the starliner’s darkest secret.

Adric and Varsh lost their parents when they were young; they were killed in a forest fire and the boys were taken in by family friends. Varsh is three-and-a-half years Adric’s senior. As this is Adric’s introduction (despite featuring in four novels by now), his creator gives us the best insight yet into who he is:

Adric’s diminutive stature and his youth belied the fact that he had one of the keenest intelligences on the starliner, an intelligence marred only by the occasional lapse into the naive mannerisms of the juvenile. 

Adric only lets go of Draith because he panics after a hand clasps his ankle underneath the marsh water. The other Outlers are here named Refnal, Gulner, Hektir and Yenik. 

As with all authors showing off their creations, Andrew Smith presents the giant Marshmen as much more impressive than TV would allow:

They flexed their scaly arms, allowed their mouths, dribbling with hungry saliva, to gape. Scaly, metallic-looking eyelids slid back over black evil eyeballs, which then scanned the surroundings. They started climbing from the marsh, mud slithering down their tall, horrible frames, heavy clawed feet finding a secure hold in the soil by the marsh. 

The Marshchild follows the Doctor onto the starliner and the Doctor takes it under his wing when he protects it from a frightened mob (on TV, he’s knocked out and the child is taken away screaming). The Doctor recalls once failing to save a young girl from a ‘witch trial’ in 17th-Century England and vows not to allow the Marshchild to suffer a similar fate. 

There is a pitch-black ‘spatio-temporal void’ between the TARDIS’s inner and outer doors! Romana utters a mild swearword (‘damn’, which is still the naughtiest word a series regular has said so far!). The Doctor’s mission to collect Romana and the broken K9 is interrupted by clusters of spiders swarming over him (shudder!). The Marshmen enjoy a level of shared minds and the brief involvement of Romana allows them insight into the starliner citizens. The ‘people of the marsh’ see themselves as guardians of the planet, ‘to serve and to protect nature’ from the alien technology of the starliners, who they consider ‘non-people; but the Marsh leader still pauses to lament the deaths they have caused: as they return to the marsh, he asks his brethren ‘… why does the maintaining of beauty always have to require the taking of lives? It is so very sad.’

Cover: Andrew Skilleter gives us a trio of Marshmen emerging from the mists. Unkind observers have noted that there appear to be pockets on the creature’s chest.

Final Analysis: This is how to do it! The third of four consecutive stories to be adapted by their original authors, Andrew Smith combines mythology and SF in an exercise in world-building that feels lived in and real. His version of the Doctor is, as with Warriors’ Gate, closer to the Fourth Doctor we recognise than the more sombre version of season 18, cracking jokes that reveal the Doctor as equally pompous and contemptuous towards assumed authority – but still with the righteous fury when confronted with the experiments on the Marshchild, or touching compassion for Tylos when he finds his body, killed during the Marshmen attack:

The Doctor knelt beside the boy. They had never spoken, yet he felt a sense of real loss. The taking of life was always to be mourned, the taking of a young life even more so.  

There are some solid horror elements – particularly the emergence of the Marshmen, the spiders hatching from the river fruit, Dexeter’s murder at the hands of the defiant Marshchild and Romana’s possession. Perhaps because he was a teenager himself when he wrote the TV scripts, Smith also presents Adric sympathetically, not blind to his awkward, precocious adolescence, but recognising how the boy feels he doesn’t fit in with either the inhabitants of the starliner or the Outlers; like many of the viewers, he identifies with the ‘otherness’ of the Doctor and Romana. We all love it when a novel presents new material or deeper insights into the characters, but this achieves a new high for the range.

Chapter 70. Doctor Who and the Visitation (1982)

Synopsis: A plague-ridden England leaves its people wary of strangers, so the Doctor and his friends receive a hostile welcome from a group of villagers. Help arrives in the form of Richard Mace, an out-of-work actor. Together they explore a nearby house, its inhabitants nowhere to be found. But hidden behind a secret wall, a wounded Terileptil and his android servant are about to put into motion a plan that could lead to the deaths of millions…

Chapter Titles

Numbered One to Eleven.

Background: Eric Saward adapts his own scripts just six months after they aired.

Notes: The introduction follows the nocturnal explorations of a fox (and later on, a badger watches events). The chapter expands upon the ill-fated family of the Squire, who is named here ‘Sir John’. Preparing for her return home, Tegan remembers how her favourite aunt was murdered by the Master, but there’s no mention of her possession by the Mara on Kinda, so this doesn’t necessarily follow on from the previous televised story (and while she apologises to Nyssa for being maudlin about her own Aunt, she seems to forget that Nyssa has lost her father, stepmother and every other person she’s ever known, so…). 

The Doctor deduces that the aliens are Terileptils thanks to an insignia on the wreck of their craft. The Terileptil leader is over seven feet tall with a head like a small Tyrannosaurus Rex. It has ‘lively, intelligent, magenta eyes’. Yes, plural – the disfigurement is ‘on the left side, a large carbuncle-like growth and heavy scarring that covered his whole cheek’. That’s left as you look at it, not his left, and doesn’t include a missing eye. When the android enters her bedroom, Nyssa plays dead to avoid it from shooting her. As the Doctor and his friends catch up with the Terileptil leader, he is ‘seated at a desk… pen in hand, writing’. 

Cover: The first of the photo covers and it’s pretty bland, just a standard portrait of Peter Davison in costume outside the TARDIS, with a flash announcing ‘A BBC TV PROGRAMME WITH PETER DAVISON AS THE DOCTOR’. Alister Pearson’s 1992 cover has an unusually cheerful Doctor accompanied by the android (holding his death mask), the Terileptil leader and a soliton gas device against a backdrop of a burning London skyline. In a reversal of fortune, a 2016 BBC Books reprint gave us Chris Achilleos replacing Alister Pearson, with an illustration of the android as Death, the Terileptil and a disappointing likeness of the Doctor. It tries to recapture the glory of Achilleos’ earlier works but it doesn’t really work, sadly.

Final Analysis: This is a curious warning of things to come: Saward puts a lot of effort into depicting some scenes, perhaps through the viewpoint of an owl or fox, but when we reach the regular cast there’s no attempt to describe them. The author seems to be unconcerned that some readers might not have seen the TV episodes yet, so although followers of the book range might know Adric, they won’t know how Nyssa or Tegan came to join the TARDIS. This is especially criminal when it comes to the Doctor – this is the first story to feature the fifth incarnation. In the early chapters, Saward has a lot of fun building the setting, but this peters out towards the end and it becomes very Dicks-like in its straightforward transcription of onscreen events. It’s a solid enough adaptation though and the Terileptil leader is an imposing presence. 

Chapter 69. Doctor Who and the Leisure Hive (1982)

Synopsis: The people of Argolis are survivors of a terrible war. Dedicating themselves to the technology of Tachyonics, their home is a destination for pleasure seekers keen to try out the latest trends in entertainment. The Argolins are dying, the last child born on the planet was Pangol. While his mother only wishes for peace with their former enemies, the Foamasi, Pangol believes it is his birthright to lead his people towards a new dawn with an army created from tachyons to eradicate the Foamasi once and for all… 

Chapter Titles

  • 1. Brighton
  • 2. Argolis
  • 3. Brock
  • 4. The Generator
  • 5. Intruders
  • 6. Hardin
  • 7. Mirror, Mirror, on the Wall
  • 8. The Foamasi
  • 9. Rebirth

Background: David Fisher adapts his own scripts for the 1980 serial.

Notes: The opening sequence of the Doctor and Romana on the frozen beach is observed by a deckchair attendant and a candy-floss seller. Chapter 2 is a detailed history of the wartorn history of Argolis and their brief battle with a race of reptiles from the planet Foamas. The third chapter is introduced by a discussion between two journalists observing Mena and Hardin at the spaceport. Mena is the ‘consort’ of the ‘Heresiarch’, Morix. It’s heavily implied that Hardin and Mena had an affair back on Earth, a relationship that they both know cannot continue now. The Captain and second-officer on the Earth-to-Argolis shuttle discuss more Argolin history, specifically the first and second Precepts of Theron the Terrible: ‘Sorrow, pain and fear are weaknesses in a warrior… eliminate them’ and ‘War is the right and duty of every Argolin’. Later on, as Pangol seizes the Helmet of Theron, we learn three more Precepts of Theron: The Tenth is ‘An Argolin knight never refuses an order’; the Eleventh is ‘An Argolin knight obeys his leader without question’; while the final Precept declares that ‘To die gloriously in battle against the enemies of Argolis is the greatest joy an Argolin knight can hope to experience’.

The Doctor immediately irritates Pangol by interrupting his presentation with inconvenient questions. The incriminating statue that carries the Doctor’s scarf represents the great Argolin hero ‘Lismar the Champion’. Much more is made of the elderly Doctor’s senility. ‘Flesh suits’ – a standard piece of equipment for assassins – are banned on Foamas, though it’s possible to pay huge amounts for one. 

No Foamasi has ever actually met an Argolin before, their war was fought remotely. Most of the Argolin survivors were members of Morix’s crew (Mena was the communications officer). After the Argolin War (which the Argolin call the ‘Foamasi War’), the survivors on Foamas were split into ‘White’ and ‘Black’ clans. While the White families were small, they were united, whereas the Black clans splintered further, allowing the White families to pick them off until only two Black houses remained – the ‘Twin Suns’ and the ‘West Lodge’, a group of embezzlers who have successfully scammed the inhabitants of other planets prior to this. While Brock is arrested as shown on screen, Klout is captured separately, caught in the act of setting an explosive charge; he throws an unprimed grenade and then draws an electric stiletto (presumably the knife, not a shoe) before he’s tied up by the Foamasi agent’s instant-cocoon device.

As in Creature from the Pit, Romana is described as ‘an experienced Time traveller [who] had journeyed vast distances through Time and Space’, so there are definitely unseen adventures prior to this (cue Big Finish!). When the Doctor leaves the Randomiser behind on Argolis, Romana is concerned that it means they’ll never know where they’re going next – which is surely the point of the Randomiser…

Cover: Andrew Skilleter shows us the Leisure Hive merging on the horizon with Pangol and a Foamasi. Alister Pearson’s cover for the 1993 reprint is of a similar desert hue, with the Hive accompanied by a Foamasi and the elderly Doctor. 

Final Analysis: David Fisher returns and writes a densely packed adaptation that feels in earlier chapters like a less manic Douglas Adams script. It soon settles down though and the historical asides occur only where they fall naturally in the plot. It’s a shame Fisher never chose to do a Terrance Dicks and take on anyone else’s stories, I was starting to like him.

True fact, when the elderly Tom Baker was revealed in the TV episode, my library buddy was hugely disappointed, thinking Baker was going to play the next Doctor too. And this was about a month before it was announced he was leaving!

Chapter 68. Doctor Who and the Keeper of Traken (1982)

Synopsis: The Keeper of Traken presides over a union of harmony. Nearing the end of his very long life, he visits the Doctor and invites him to visit Traken. Instead of being honoured guests, the Doctor and Adric find themselves mistaken for the evil that the Keeper has warned about. In a nearby grove, Kassia, the wife of a consul bares her soul to a lonely statue, fearful that her loving husband will be taken from her if he is nominated to be the new Keeper. But then the statue speaks – and promises everything will be okay, so long as she obeys without question. Within the statue, in an impossibly large chamber, a decaying figure observes his plan coming together, a plan that will find him power to regenerate his husk of a body – and enact revenge on his nemesis, the Doctor!

Chapter Titles

  • 1. Escape to Danger
  • 2. Melkur Awakes
  • 3. Intruders
  • 4. The Voice of Melkur
  • 5. Melkur’s Secret
  • 6. The Net
  • 7. Prisoners of Melkur
  • 8. A Place to Hide
  • 9. Death of a Keeper
  • 10. The Rule of Melkur
  • 11. The Last Resort
  • 12. The Enemy

Background: Terrance Dicks adapts Johnny Byrne’s 1981 scripts, which followed Warriors’ Gate on TV, making this the second time that three consecutive stories have been released together.

Notes: The first chapter is called ‘Escape to Danger’ (yay!) and it directly follows on from Warriors’ Gate, explaining the disappearance of Romana and K9. Adric’s standard description now tells us he’s ‘a smallish, round-faced, snub-nosed lad with an expression of cheerful impudence’. We’re also told he ‘usually eats enough for two’ and Adric observes that ‘practically everyone on Traken was old, eminent, and bearded’, which is a brilliant line. We only discover the identity of Melkur at the same time as the Doctor. The description of the Master matches that from The Deadly Assassin:

The figure in the chair was both wizened and decayed, the body as worn out as the tattered robes. One eye glared madly from the crumbling ruin of a face and blackened lips drew back in a ghastly chuckle.

As he confronts the Master in his TARDIS, The Doctor recalls his nemesis back in his prime:

The stocky, powerful figure, the darkly handsome face with its pointed beard and burning eyes, the deep, hypnotic voice. All of that was gone, decayed, so that all that was left was a walking corpse.

The new Master’s first words are ‘Now begins my new life!’

Cover: Andrew Skilleter gives us a simple scene of Nyssa and Melkur. Alister Pearson’s 1993 reprint cover is another montage of faces, depicting the Doctor, the Keeper and Melkur, along with the screaming, decaying face of the Master.

Final Analysis: A lot more effort with this, even though it’s largely a straight translation from screen to page, as Terrance provides points of view and character insights throughout. One slightly odd thing is that it’s not exactly clear in the TV episodes when exactly the Keeper reveals that Tremas is to be his successor, as this is merely reported by the Keeper after he shows the Doctor and Adric the wedding scene. Here, the appointment is very much part of the wedding, meaning Tremas and Kassia are married for less than two days before they’re both killed.  As on TV, Nyssa is not signposted as the new companion and if anything her role is minimal, even though Terrance makes sure to tell us that she and Adric quickly become friends.