Synopsis: The Cybermen tried to invade the Earth once but were ‘humiliatingly defeated’. Their second attempt comes via the Moon, where they are already lying in wait for the perfect moment to attack. As the personnel of the Moonbase fall ill one by one, the Doctor and his friends scramble to find the cause.
- 1. Prologue: The Creation of the Cybermen
- 2. The Landing on the Moon
- 3. The Moon Base
- 4. Attack in the Medical Unit
- 5. The Space-plague
- 6. The Doctor Investigates
- 7. The Cybermen’s Plot
- 8. The Battle with the Cybermen
- 9. Victory, perhaps…
- 10. The March of the Cybermen
- 11. Into Battle with the Gravitron!
Background: Gerry Davis adapts the scripts he co-wrote with Kit Pedlar for the 1967 serial The Moonbase.
Notes: We begin with a prologue that’s a potted history of the Cybermen that (in line with later stories but contradicting The Tenth Planet) states that the Cybermen come from Telos. Later on, when discussing Mondas, the Cybermen say they come from ‘the other Cyberman planet, TELOS’. Ben and Polly are from the 1970s now, so they’re familiar with the Apollo Moon landings, although Davis seems to think Ben is still wearing his sailor’s uniform and Polly is in a mini-skirt and tee-shirt. Oh and Jamie is tagged as ‘a little thick, even by 1745 standards’, which seems hugely unfair. There’s a Cyberman with a red line down the front of his chest unit, which Davis draws attention to but doesn’t elaborate on, and a couple of others with black helmets similar to those seen in Revenge of the Cybermen, who have names (as in The Tenth Planet).
Cover & Illustrations: Chris Achilleos painted the original cover using a Troughton pic from The Three Doctors and a Cybermen from The Invasion. I had the 1981 reprint with the cover by Bill Donohoe that appears to depict the Cyber-space walk from the end of The Wheel in Space. Illustrations by Alan Willow show the correct Moonbase Cybermen, and the best pic is of Ralph, the Moonbase crewman, staring in horror as (the caption explains) ‘the shadow of a large figure’ looms over him.
Final Analysis: It’s nice when the originators of a story get to give us their version. Davis largely sticks to the story as televised, but he really goes to town with a nautical theme with chapter two’s description of the TARDIS’s dramatic journey to the Moon (‘Like a ship in a heavy sea,’) including a reference to the TARDIS ‘cabin’, ‘bulkheads’ and ‘deck’. In the prologue there’s a line that ‘although revenge was not a part of their mental makeup any more than the other emotions,’ which I suspect was pushing against Davis’s recent experience with Robert Holmes changing his title (and most of the script) for Tom Baker’s Cyberman adventure.